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Making Sense A Student's Guide to Research and Writing Engineering and the Technical Sciences Oxford Univ Pr (Txt)? Margot Northey? Judi Jewinski? OxfordUnivPr(Txt)? MargotNorthey? JudiJewinski? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Writing-Academic&Commercial? Subjects-Science-Technology-General&Reference The Commonwealth of Science Anzaas and the Scientific Enterprise in Australasia, 1888-1988 Oxford Univ Pr? Roy MacLeod? OxfordUnivPr? RoyMacLeod? ジャンル別? Subjects-Biographies&Memoirs-SpecificGroups-Scientists? Subjects-History-Australia&Oceania-Australia? Subjects-History-Australia&Oceania-NewZealand? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Organizing for Science The Making of an Industrial Research Laboratory Oxford Univ Pr? Shiv Visvanathan? OxfordUnivPr? ShivVisvanathan? ジャンル別? Substores-UnknownASINs-6? Subjects-Engineering-Research? Subjects-Professional&Technical-Engineering-Research? Subjects-Science-Technology-General&Reference Environmentally-Sound Water Management Oxford Univ Pr? N. C. Thanh? Asit K. Biswas? OxfordUnivPr? N.C.Thanh? AsitK.Biswas? ジャンル別? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference Technological Change and Rural Development in Poor Countries Neglected Issues Oxford Univ Pr? Kartik C. Roy? Cal Clark? OxfordUnivPr? KartikC.Roy? CalClark? ジャンル別? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Computers&Internet-Business&Culture-FutureofComputing? Subjects-Nonfiction-Politics-RegionalPlanning? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-General Subjects-Science-Technology-General&Reference History of Indian Science, Technology and Culture Ad 1000-1800 (Project of History of Indian Science, Philosophy Culture) Oxford Univ Pr? Philosophy, and Culture Project of History of Indian Science? Abdur Rahman? OxfordUnivPr? Philosophy,andCultureProjectofHistoryofIndianScience? AbdurRahman? ジャンル別? Subjects-Biographies&Memoirs-SpecificGroups-Scientists? Subjects-History-Asia-India? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-Philosophy-History&Surveys? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technical Communication Principles and Practice Oxford Univ Pr (Sd)? Meenakshi Raman? Sangeeta Sharma? OxfordUnivPr(Sd)? MeenakshiRaman? SangeetaSharma? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Reference-Words&Language-Communication? Subjects-Reference-Writing-Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Process Plant Simulation Oxford Univ Pr (Sd)? B. V. Babu? OxfordUnivPr(Sd)? B.V.Babu? ジャンル別? Subjects-Engineering-Chemical-ProcessDynamics? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Chemical-ProcessDynamics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference The Prahu Traditional Sailing Boat of Indonesia Oxford Univ Pr? Adrian Horridge? OxfordUnivPr? AdrianHorridge? ジャンル別? Substores-UnknownASINs-6? Subjects-History-Military-General? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Science-Technology-General&Reference Sailing Craft of Indonesia (Images of Asia) Oxford Univ Pr? Adrian Horridge? OxfordUnivPr? AdrianHorridge? ジャンル別? Subjects-History-Military-General? Subjects-History-Military-Naval? Subjects-Nonfiction-Transportation-General? Subjects-Science-Technology-General&Reference China's Spatial Economy Recent Developments and Reforms Oxford Univ Pr? G. J. R. Linge? Dean K. Forbes? John H. Fincher? OxfordUnivPr? G.J.R.Linge? DeanK.Forbes? JohnH.Fincher? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-International-EconomicConditions? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-HumanGeography? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicConditions? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicConditions? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Science and Stonehenge (Proceedings of the British Academy) British Academy and the Museums? Barry Cunliffe? Colin Renfrew? BritishAcademyandtheMuseums? BarryCunliffe? ColinRenfrew? ジャンル別? Subjects-History-Ancient-General? Subjects-History-Europe-England-General? Subjects-History-Europe-England-Ancient? Subjects-History-Europe-Ireland-General? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Archaeology-Methodology? Subjects-Nonfiction-SocialSciences-Archaeology-Prehistoric? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? Subjects-Science-Archaeology-Methodology? Subjects-Science-Archaeology-Prehistoric? Information Technology and Scholarship Applications in the Humanities and Social Sciences Oxford Univ Pr? J. T. Coppock? Terry Coppock? OxfordUnivPr? J.T.Coppock? TerryCoppock? ジャンル別? Subjects-Computers&Internet-General? Subjects-Nonfiction-SocialSciences-Sociology? Subjects-Science-Technology-General&Reference Pope, Print, and Meaning Oxford Univ Pr? James McLaverty? OxfordUnivPr? JamesMcLaverty? ジャンル別? Subjects-Arts&Photography-GraphicDesign-Typography? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-History-Europe-England-19thCentury? Subjects-Literature&Fiction-Classics-Greek? Subjects-Literature&Fiction-Books&Reading-BookIndustry? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Literature&Fiction-Poetry-General? Subjects-Literature&Fiction-Poetry-SingleAuthors-British&Irish? Subjects-Literature&Fiction-WorldLiterature-British-General? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Art&Photography? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Literature? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Begotten or Made? Clarendon Pr? Oliver O Donovan? ClarendonPr? OliverO Donovan? ジャンル別? Subjects-Business&Investing-BusinessLife-Ethics? Subjects-History-Europe-Germany-General? Subjects-Medicine-Physician&Patient-MedicalEthics? Subjects-Medicine-Reproductive&Sexual-Fertility? Subjects-Medicine-Specialties-Obstetrics&Gynecology? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Professional&Technical-Medical-Medicine-MedicalEthics? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-BusinessEthics? Subjects-Religion&Spirituality-Christianity? Subjects-Religion&Spirituality-ReligiousStudies-Theology-MoralTheology? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Physician&Patient-MedicalEthics? Subjects-Science-Medicine-Reproductive&Sexual-Fertility? Subjects-Science-Medicine-Specialties-Obstetrics&Gynecology? Knowledge Frontiers Public Sector Research and Industrial Innovation in Biotechnology, Engineering Ceramics, and Parallel Computing Clarendon Pr? Wendy Faulkner? Jacqueline Senker? Lea Velho? ClarendonPr? WendyFaulkner? JacquelineSenker? LeaVelho? ジャンル別? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-High-Tech? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Computers&Internet-Business&Culture-ComputerIndustry? Subjects-Computers&Internet-Hardware-SystemArchitecture-ParallelComputing? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Reference-Careers-Entrepreneurship? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Technology Management and Public Policy in the European Union Oxford Univ Pr on Demand? European Commission? William Cannell? Ben Dankbaar? OxfordUnivPronDemand? EuropeanCommission? WilliamCannell? BenDankbaar? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-International-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Arms and Artificial Intelligence Weapon and Arms Control Applications of Advanced Computing (A Sipri Publication) Oxford Univ Pr? Allan M. Din? OxfordUnivPr? AllanM.Din? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-History-Military-General? Subjects-History-MilitaryScience? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-International-Security? Subjects-Nonfiction-CurrentEvents-ArmsControl? Subjects-Science-Technology-General&Reference Contemporary Taiwan (Studies on Contemporary China) Oxford Univ Pr on Demand? David Shambaugh? OxfordUnivPronDemand? DavidShambaugh? ジャンル別? Subjects-Business&Investing-Economics? Subjects-History-Asia-China-General? Subjects-History-Asia-Taiwan? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-History&Theory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-PoliticalScience-SystemsOfGovernment? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Nonfiction-Economics? Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Accounting&Finance-Economics? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-Environment? Subjects-Science-Technology-General&Reference Rational Risk Policy The 1996 Arne Ryde Memorial Lectures (Arne Ryde Memorial Lectures) Clarendon Pr? W. Kip Viscusi? ClarendonPr? W.KipViscusi? ジャンル別? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-Insurance-RiskManagement? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Health,Mind&Body-General? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-HealthPolicy? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Government-PublicAffairs&Administration? Subjects-Nonfiction-Economics-General? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Nonfiction-Economics-Theory? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthPolicy? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-HealthPolicy? Inside the Communication Revolution Evolving Patterns of Social and Technical Interaction Oxford Univ Pr (Sd)? Robin Mansell? OxfordUnivPr(Sd)? RobinMansell? ジャンル別? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Computers&Internet-Business&Culture-Culture? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Inside the Communication Revolution Evolving Patterns of Social and Technical Interaction Oxford Univ Pr? Robin Mansell? OxfordUnivPr? RobinMansell? ジャンル別? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference To Light Such a Candle Chapters in the History of Science and Technology Oxford Univ Pr (Sd)? Keith J. Laidler? OxfordUnivPr(Sd)? KeithJ.Laidler? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Exploring the Universe Essays on Science and Technology Oxford Univ Pr? P. Day? OxfordUnivPr? P.Day? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Cosmology? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Cosmology? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Cosmology? Dynamical Theory of Crystal Lattices (Oxford Classic Texts in the Physical Sciences) Oxford Univ Pr on Demand? Max Born? Kun Huang? OxfordUnivPronDemand? MaxBorn? KunHuang? ジャンル別? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics? Subjects-Science-Chemistry-Crystallography? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-QuantumTheory? Subjects-Science-Physics-Solid-StatePhysics-General? Subjects-Science-Technology-General&Reference The Nine Numbers of the Cosmos Oxford Univ Pr (Sd)? Michael Rowan-Robinson? OxfordUnivPr(Sd)? MichaelRowan-Robinson? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Cosmology? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-Cosmology? Subjects-Science-Physics-General? Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? Subjects-Science-Astronomy-Cosmology? Subjects-Science-Astronomy-SolarSystem? Subjects-Science-Astronomy-Universe? The Further Inventions of Daedalus Oxford Univ Pr (T)? David Jones? OxfordUnivPr(T)? DavidJones? ジャンル別? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Killers in the Brain Essays in Science and Technology from the Royal Institution Oxford Univ Pr? Peter Day? OxfordUnivPr? PeterDay? ジャンル別? Subjects-Medicine-General? Subjects-Medicine-SpecialTopics-History? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofMedicine? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-General? Mapping the Spectrum Techniques of Visual Representation in Research and Teaching Oxford Univ Pr? Klaus Hentschel? OxfordUnivPr? KlausHentschel? ジャンル別? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Light? Subjects-Professional&Technical-ProfessionalScience-Physics-Statics? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Spectroscopy-General? Subjects-Science-Experiments,Instruments&Measurement-Microscopes&Microsocopy? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-General? Subjects-Science-Physics-Light-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-Statics? Subjects-Science-Physics-Spectroscopy-General? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? The Physical Principles of Heat Pipes (Oxford Studies in Physics) Oxford University Press? M.N. Ivanovskii? V. R. Sorokin? I. V. Yagodkin? R. Berman? G. Rice? OxfordUniversityPress? M.N.Ivanovskii? V.R.Sorokin? I.V.Yagodkin? R.Berman? G.Rice? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Aerospace-HeatTransfer? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Aerospace-HeatTransfer? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Cosmic Rays Essays in Science and Technology from the Royal Institution (Proceedings of the Royal Institution of Great Britain) Oxford Univ Pr? Richard Catlow? Susan Greenfield? C. R. A. Catlow? OxfordUnivPr? RichardCatlow? SusanGreenfield? C.R.A.Catlow? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Semiconductor Physics and Applications (Series on Semiconductor Science and Technology, 8) Oxford Univ Pr? Minko Balkanski? R. F. Wallis? OxfordUnivPr? MinkoBalkanski? R.F.Wallis? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-QuantumTheory? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Technology-General&Reference Semiconductor Physics and Applications (Series on Semiconductor Science and Technology, 8) Oxford Univ Pr? Minko Balkanski? R. F. Wallis? OxfordUnivPr? MinkoBalkanski? R.F.Wallis? ジャンル別? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Semiconductors? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-QuantumTheory? Subjects-Science-Physics-Solid-StatePhysics-CondensedMatter? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-SemiconductorPhysics? Subjects-Science-Technology-General&Reference Dc and Ac Circuits (Oxford Physics) Clarendon Pr? Gordon Lancaster? ClarendonPr? GordonLancaster? ジャンル別? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Science-Technology-General&Reference Technical English Writing, Reading, and Speaking Longman Pub Group? Nell Ann Pickett? Ann A. Laster? Katherine E. Staples? LongmanPubGroup? NellAnnPickett? AnnA.Laster? KatherineE.Staples? ジャンル別? Subjects-Business&Investing-Reference-OfficeSkills? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Reference-Words&Language-General? Subjects-Reference-Writing-Academic&Commercial? Subjects-Reference-Writing-General? Subjects-Reference-Writing-Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Parallel Distributed Processing Implications for Psychology and Neurobiology (Oxford Science Publications) Clarendon Pr? R. G. M. Morris? ClarendonPr? R.G.M.Morris? ジャンル別? Subjects-Computers&Internet-Databases-DistributedDatabases? Subjects-Health,Mind&Body-Psychology&Counseling-Neuropsychology? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Health,Mind&Body-Psychology&Counseling-ByTopic-Intelligence? Subjects-Professional&Technical-ProfessionalScience-BehavioralSciences-CognitivePsychology? Subjects-Professional&Technical-ProfessionalScience-BehavioralSciences-CognitiveScience? Subjects-Science-Technology-General&Reference Subjects-Science-BehavioralSciences-CognitivePsychology? Subjects-Science-BehavioralSciences-General? Oxford Handbook of Medical Sciences (Oxford Handbooks Series) Oxford University Press, USA? Robert Wilkins? Simon, Dr. Cross? Ian Megson? David, Dr. Meredith? OxfordUniversityPress,USA? RobertWilkins? Simon,Dr.Cross? IanMegson? David,Dr.Meredith? ジャンル別? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-BasicScience-General? Subjects-Medicine-Education&Training-TestPreparation&Review? Subjects-Medicine-SpecialTopics-History? Subjects-Medicine-Specialties-Pathology-General? Subjects-Professional&Technical-Medical-BasicSciences-Physiology? Subjects-Professional&Technical-Medical-Medicine-TestPreparation&Review? Subjects-Science-History&Philosophy-HistoryofMedicine? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-BasicScience-General? Subjects-Science-Medicine-Education&Training-TestPreparation&Review? Subjects-Science-Medicine-Specialties-Pathology-General? Basics of Communications and Coding Clarendon Pr? William G. Chambers? ClarendonPr? WilliamG.Chambers? ジャンル別? Substores-UnknownASINs-6? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Subjects-Computers&Internet-Programming-CodingTheory? Subjects-Home&Garden-General? Boolean-Valued Models and Independence Proofs in Set Theory (Oxford Logic Guides) Oxford Univ Pr? J. L. Bell? OxfordUnivPr? J.L.Bell? ジャンル別? Substores-UnknownASINs-6? Subjects-Professional&Technical-Medical-BasicSciences-Bacteriology? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Logic? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-SetTheory? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Logic? Subjects-Science-Mathematics-PureMathematics-SetTheory? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Bacteriology? Mathematics in Signal Processing (Institute of Mathematics and Its Applications Conference Series New Series) Clarendon Pr? Tariq S. Durrani? ClarendonPr? TariqS.Durrani? ジャンル別? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Science-General Subjects-Science-Mathematics-Applied-Engineering-General? Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference The Principles of Computer Hardware Oxford University Press? Alan Clements? OxfordUniversityPress? AlanClements? ジャンル別? Subjects-Science-Technology-General&Reference Practical Computing for Experimental Scientists Clarendon Pr? John D. Beasley? ClarendonPr? JohnD.Beasley? ジャンル別? Substores-UnknownASINs-61? Subjects-Computers&Internet? Subjects-Science-Education-Experiments&Projects? Subjects-Science-General Subjects-Science-Technology-General&Reference Icl A Business and Technical History Oxford Univ Pr? Martin Campbell-Kelly? OxfordUnivPr? MartinCampbell-Kelly? ジャンル別? Subjects-Business&Investing-Biographies&Primers-CompanyProfiles? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-Hardware-Mainframes? Subjects-History-Europe-England-General? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Minerals and Mining in Antarctica Science and Technology, Economics and Politics (Oxford Science Publications) Clarendon Pr? Maarten De Wit? ClarendonPr? MaartenDeWit? ジャンル別? Substores-UnknownASINs-6? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-General? 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Analog Medicine - A Science of Healing Adopting the Logic of Quantum Mechanics As a Medical Strategy Authorhouse? Ronald L. Hamm Dvm? Authorhouse? RonaldL.HammDvm? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-AlternativeMedicine-General? Subjects-Medicine-Alternative&Holistic-General? Subjects-Science-Medicine-Alternative&Holistic-General? Does Time Exist An Energetic Implementation of Motion Authorhouse? Henri Salles? Authorhouse? HenriSalles? Substores-UnknownASINs-35 Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Physics-General? Does Time Exist An Energetic Implementation of Motion Authorhouse? Henri Salles? Authorhouse? HenriSalles? Substores-UnknownASINs-35 Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Physics-General? Glimpses of God Seasonal Christian Poems Authorhouse? Joan Bonnell Clark? Authorhouse? JoanBonnellClark? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? 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The Noble Free Authorhouse? Russell Breighner? Authorhouse? RussellBreighner? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? The Noble Free Authorhouse? Russell Breighner? Authorhouse? RussellBreighner? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? Poetry of the Heart A Journey into Life Authorhouse? Stefanie L. Messick? Authorhouse? StefanieL.Messick? Substores-UnknownASINs-35 Subjects-Literature&Fiction-Poetry-Anthologies? Subjects-Literature&Fiction-Poetry-Inspirational&Religious? Dead Man's Hand Authorhouse? Jon Flanagan? Authorhouse? JonFlanagan? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Psychological&Suspense? Death Factory U.S.A Death Factory in Our Midst Authorhouse? Larry D. Land? Authorhouse? LarryD.Land? Substores-UnknownASINs-35 Subjects-Children sBooks-Science,Nature&HowItWorks-Environment&Ecology? 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The Secret to a Joyful Prayer Life Circle of Joyful Prayer Authorhouse? Tom Floyd? Authorhouse? TomFloyd? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-Meditations-General? Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-BibleStudy? Black Sheep That Heaven Won/First Book of the Trilogy Profound Horizon Profound Horizon Trilogy Authorhouse? John C. Furniss? Authorhouse? JohnC.Furniss? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Literature&Fiction-GenreFiction-Religious&Inspirational-General? Subjects-Religion&Spirituality-Christianity-Fiction&Poetry-Fiction? Subjects-Religion&Spirituality-Fiction-General? Lost Daughters Authorhouse? Charles Patrinellis? Authorhouse? CharlesPatrinellis? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General? Subjects-Mystery&Thrillers-Thrillers-Legal? Poor Worm of Earth The Hand of the Potter Authorhouse? Amelia Phillips Aremia? Authorhouse? AmeliaPhillipsAremia? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? Poor Worm of Earth The Hand of the Potter Authorhouse? Amelia Phillips Aremia? Authorhouse? AmeliaPhillipsAremia? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? Behind the Veil Authorhouse? Renee Presley? Authorhouse? ReneePresley? Substores-UnknownASINs-35 Subjects-Religion&Spirituality-Bible&OtherSacredTexts-Bible-StudyGuides,History&Reference-Reference-Theology-General? Subjects-Religion&Spirituality-Christianity-Theology-General? The Number 0F Infinity Authorhouse? Amy K. Zander? Authorhouse? AmyK.Zander? Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Action&Adventure? Subjects-Mystery&Thrillers-Thrillers-General? 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Substores-UnknownASINs-35 Subjects-Literature&Fiction-GenreFiction-Historical? A Coed With a Will, Keeps It Real Ten Ways to Improve Your Sat Score Authorhouse? Arlene Garcia? Authorhouse? ArleneGarcia? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Where Only Eagles Dare to Fly Authorhouse? Carol J. Sale? Authorhouse? CarolJ.Sale? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Here Lord One Night in February 2000 Changed My Life Forever Authorhouse? Larry D., Ph.D. Ditto? Authorhouse? LarryD.,Ph.D.Ditto? Substores-UnknownASINs-35 Subjects-Biographies&Memoirs-Leaders&NotablePeople-Religious? Subjects-Biographies&Memoirs-Memoirs? Subjects-Religion&Spirituality-Christianity-General? Turtles All the Way Down Authorhouse? John Ejnar Tweed? Authorhouse? JohnEjnarTweed? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? From the Blood Red Lounge Thoughts, Musings, and Stories Authorhouse? Keith Brouca? 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(2008/04/14) (2008/04/16) (2008/04/22) Test Center Patch 1.3 - Patch Notes (04/14/08) UPDATE New build. These patch notes are for the build of Patch 1.3 currently deployed on the Test Center server. Test Center Patch 1.3 Notes April 14, 2008 New Features (2008/04/16)Perks - Expertise Ranks and Expertise After characters hit Level 50, they can start earning experience towards gaining Ranks.レベル50になったら、ランクの為にEXPを稼ぐ作業に入れる There are 50 Ranks, each of which will take an increasing amount of time to earn.ランクは1～50で、ランクを上げるのに大量の時間がかかる Rank is displayed under the character’s level and is visible to other players.ランクはキャラクターのレベルの下に表示され、他のプレイヤーにも見える Each Rank grants you one Expertise Point. Expertise Points can be spent on Expertise.1ランク上昇で1Expertiseポイント得られ、Expertisに割り振れる There will be 15 different kinds of Expertise with four levels each.15のExpertiseがあり、各レベルは1～4。 Expertise will be displayed in a skill-tree-like fashion – with icons and pop-up text describing what the benefits are of the Expertise. Hit U to view the Expertise screen.Expertiseはスキル表のような画面構成で、各Expertiseの説明がポップアップで表示される。 The first level for each Expertise will cost one Expertise Point. An additional Expertise Point will be needed to increase each level after the first, much like with upgrading an item using Nanoshards, for a total cost of 10 Expertise Points to max out a Expertise.各Expertiseで消費されるポイントは、レベル1/2/3/4で1/2/3/4ポイント。 Shared Stash Now all characters on subscriber accounts can share their items! Current trade conventions do apply items will not be able to be traded across play modes. Also, “no trade” items can not be placed in the Shared Stash. Hide Helmet Players can elect to hide their headgear and show their characters’ faces without removing it. This toggle can be found at the bottom of the character screen. Emotes A host of emotes are now at your disposal including beg, bow, cheer, cry, flex, kiss, laugh, point, stop, taunt, and wave. While others are also available on Test Center, these are being reserved as rewards. Type “/” and the word, then hit enter to perform it.感情表現のボディランゲージを追加した Inspect Players Players can now inspect other players’ equipment. Right-click on a nearby character and select the “Inspect” option to bring up a ragdoll interface showing the character and its equipment.Inspectで他のプレイヤーの装備を見れるようになった Players can prevent their characters from being inspected by toggling the Inspect option at the bottom of their character screen.見せたくないプレイヤーは、Inspect拒否をオプションで設定できる Premium Item Merchant Presently located in Stonehenge, Premium Item Merchant Ko has items for sale which are unidentified and do not reveal their actual rarity level. Players can risk their hard-earned Palladium to take a chance on these mystery premium items. Optional Chat Bubbles Chat bubbles are now an optional chat feature and can be toggled in the Game Options menu. Different chat channels will appear as different text colors.発言の吹き出しOn/Offが可能になった Donations The medics in our stations are now collecting donations to help the overall cause against the demons. When enough palladium is collected, all players on the server will gain the same random temporary buff. When a player gives a large single donation, an announcement across the entire server will herald their generosity. The overall collection goal might change occasionally. If everyone pitches in some palladium, we all will benefit. So give often. Give generously. For the living!悪魔に対抗するために、各ステーションでメディックが寄付金を募っている。大量の寄付をしたプレイヤーはアナウンスされる The Donation amount resets when the limit is reached. Over-donating does not add anything.リミットに達すると寄付金はリセットされる。それ以上寄付をしても何も起きない You can stack Donation-gained buffs by reaching the Donation limit multiple times.+寄付により様々なバフがつく Buffs persist through death and log-off/log-in.バフは、死亡やLogIn/Offにより消えることはない General The maximum Palladium a player may carry has been increased to 100,000,000.所持金の最大値が、一億になった The in-game mail database system has been rewritten, please provide feedback on it!メールの(多分キャラクターの)データベースが書き換えられたので、フィードバックよろしく Premium Item Merchant Ko has been moved Covent Garden Station. He is subscriber-only. (2008/04/14) Weapons will now hide when performing emotes.emoteするときは、武器が消える (2008/04/14) Since many players enjoyed doing Oculis boss runs, we ve done some work to allow these runs again, but this time in a more complete fashion. The portal from Monument Station to Angel Passage is now permanently blocked. Players who would like to fight Oculis after reaching Monument Station may use the Station Travel Terminal to return to Temple Station. Any player who has activated, or completed, the "Scrub the Deck" quest and does not have a Cleanser, may speak with Ser Sing in Temple Station to get another one. The Cleanser is no longer removed when the "Scrub the Deck" quest is completed. (2008/04/14) The change which scaled proc damage to be based on weapon speed was inadvertently left in this build. Please ignore this mechanic as it will not be implemented. Proc-on-hit mechanics and damages will remain the same as they did in Patch 1.2 - they will not be changed in Patch 1.3. Stonehenge Whenever a player enters a level, all monsters (and their equipment/treasure) are scaled up to that person’s level and the monster’s health is filled, if both the level is one that is supposed to scale to the player’s level, and if the player is higher level than the player who created the level. (2008/04/14) Change to the new Monster Scaling mechanic Players now have a 3-level buffer before monsters are upgraded. This means that monsters will only be re-scaled if a player 3 levels above the level of the monsters enters the adventure area. Characters must now be level 15 to enter Stonehenge. User Interface Party members’ names now show up on the automap when the Alt key is held down.Altキーでオートマップにパーティメンバー表示かのうになった The name of the recipient of a trade request is now displayed in the trade window. Players may now choose to abbreviate the names of other players in the chat window down to a maximum of nine letters. This option can be toggled under Game Options. Fixed a bug causing items to register as not equippable if they give enough of an attribute to make up for the amount of feed they will cost. Fixed a bug causing some items to unequip when the player enters the game or zones. Improved the accuracy of attribute and feed changes in the character panel when hovering over an item. The “Hardcore” indicator icon now shows up to the left of the player’s name. Fixed a bug causing clicks in the server list dropdown menu to sometimes click through to buttons underneath it. Buttons have been added to the chat interface allowing for quick access to chat commands and emotes. They can be found in the lower right corner of the chat panel. World Movement Players can now warp to any friend or guildmate who is in a town by right-clicking on the person’s name. The buddy list and guild list will have the player’s current location noted. Combat Fixed a bug which sometimes caused shields and/or power to decrease in larger chunks than they should when getting hit or using a skill. Fixed a bug which caused proc effects to not be properly normalized based on the weapon’s speed. Fixed a bug which caused proc-on-attack effects to never trigger. Fixed a bug which would sometimes cause skill cooldowns to not trigger. Fixed a bug which caused fields to often not damage monsters in indoor areas. Fixed a bug which caused Armor Percent bonuses to be applied twice during damage reduction calculations. PvP Players with PvP enabled may no longer open party portals. Consumable items other than Medpacks are no longer usable in PvP. Skills If a player removes an item that grants them the only point in a summoning skill, or otherwise forgets a summoning skill, all pets summoned by that skill will now be dismissed. (2008/04/14) The Phase Elemental’s (Summoner) spectral nova particles have been redone to improve performance. (2008/04/14) Monsters now receive damage from Rebounder Rounds when they are aimed at ground. Ranks/Expertise Active Expertise have been removed. All Expertise are now passive. (2008/04/16) (2008/04/22) The "Expertises" tab has been renamed "Expertise". (2008/04/16) (2008/04/22) Various Expertise skills have been renamed. Items Gyro Stabilizers may now be used while stunned. font)Silver){Gyro stabilizerがスタンされているときに使えるようになった} Fixed a bug which sometimes caused a crash when the player attempts to drop a quest item. Fixed a bug which caused many skill-group related properties to not properly provide their bonuses. Fixes Expertise bonuses have been updated. Fixed a bug that caused players to be unable to assign Expertise Points when all of their Skill Points had been spent. Premium Item Merchant Ko now sells items that are closer in level to the level of the player. Fixed a problem with the character’s paper doll after inspecting a player. Fixed a bug causing various characters to fail to load. Fixed a bug (introduced in 1.3) that was causing grouped players to not receive the proper group benefits to experience and treasure. Expertise icons are in. Many new skill and status icons. Fixed a bug causing Rebounder Rounds to not do damage if the missile/bullet hits the ground first. (2008/04/14) Fixed a bug which caused monster nameplates to not always update the level of the monster. (2008/04/14) Fixed a bug which caused Moloch to sometimes not drop loot for players in the area. (2008/04/14) Fixed a bug which was allowing Nanodyne Ballistic Cannons, including The Exterminator, to make multiple attacks on a single target much more quickly than designed. (2008/04/14) Fixed a bug which caused the quest reward dialog to not always disappear when multiple people receive their rewards at the same time. (2008/04/22) Fixed a bug causing the New Email icon to flash upon logging in, even when there were no new emails. Known Issues (2008/04/22)削除 Using the Skill or Attribute Retrainers does not reset the attributes for the Engineer s drone. While Rank experience is not being saved, Rank is. If you log out, experience gained towards your next Rank will be lost. --- Patch Notes Disclaimer While we make every effort to include all upcoming changes in our patch notes, please be aware that occasionally some changes are unintentionally omitted. --- Happy testing, Hellgaters! -- Scapes
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ゲーム情報（登録されているタグ） シリーズ＞Be Rich ジャンル＞タイムマネージメント ジャンル＞戦略系 製作会社＞Divo Games 製作会社＞未確認 言語＞日本語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/6184/be-richer/index.html 日本語 http //www.bigfishgames.jp/download-games/6699/be-richer/index.html 紹介文 「もっとお金持ちになりたい！」…そんな欲望はとどまることを知らず、さらに贅沢な住宅を建てようと不動産業界に舞い戻ってきたキミ！会社を設立したら、さまざまな町を訪れて住民たちをあっと驚かせるような素晴らしい建物を建設しよう。魅力的な才能を持ったコンサルタントからのアドバイス、それにキミの右腕となるような人材を雇ったりとさらに広がった選択肢に、ビジネスマンとしての腕が鳴る！再び不動産業界のトップの座に君臨しよう！ 熱中するゲームプレイ アップグレードで収入増大 夢のような町をつくり上げよう BE リッチで最初の不動産帝国を築こう！ 画像 « » var ppvArray_0_ff819619e8d97d61cd75177d55d1331e = new Array(); ppvArray_0_ff819619e8d97d61cd75177d55d1331e[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Be+Richer+%28BE+%E3%83%AA%E3%83%83%E3%83%81+2%29&file=jp_be-richer-screen1.jpg ; window.onload=function(){ ppvShow_0_ff819619e8d97d61cd75177d55d1331e(0); }; function ppvShow_0_ff819619e8d97d61cd75177d55d1331e(n){ if(!ppvArray_0_ff819619e8d97d61cd75177d55d1331e[n]){ alert( 画像がありません ); return; } ppv_0_ff819619e8d97d61cd75177d55d1331e$( ppv_img_0_ff819619e8d97d61cd75177d55d1331e ).src=ppvArray_0_ff819619e8d97d61cd75177d55d1331e[n]; ppv_0_ff819619e8d97d61cd75177d55d1331e$( ppv_link_0_ff819619e8d97d61cd75177d55d1331e ).href=ppvArray_0_ff819619e8d97d61cd75177d55d1331e[n]; ppv_0_ff819619e8d97d61cd75177d55d1331e$( ppv_prev_0_ff819619e8d97d61cd75177d55d1331e ).href= javascript ppvShow_0_ff819619e8d97d61cd75177d55d1331e( +(n-1)+ ) ; ppv_0_ff819619e8d97d61cd75177d55d1331e$( ppv_next_0_ff819619e8d97d61cd75177d55d1331e ).href= javascript ppvShow_0_ff819619e8d97d61cd75177d55d1331e( +(n+1)+ ) ; } function ppv_0_ff819619e8d97d61cd75177d55d1331e$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } 備考 レス一覧 552 名前： 名無しさんの野望 [sage] 投稿日： 2010/08/15(日) 03 22 58 ID bho1c39l ビルドアロットとビーリッチ２やったけどタイムマネージメント面白すぎて驚いた 他におすすめあればおしえてくれ 927 名前： 名無しさんの野望 [sage] 投稿日： 2010/09/17(金) 22 24 40 ID rl464Tby BEリッチ２全クリした。 数秒のタイムロスも許すまじの１に比べて２はかなり簡単になってた。 コメント 名前 コメント トップページに戻る
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CHAPTER XXVI UP CHAPTER XXVIII CHAPTER XXVII Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla s sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew s return from plowing. "I ll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She s gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She s just got to be pulled up short and sudden on this sort of thing. I don t care if Mrs. Allan does say she s the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there s never any knowing what shape it ll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn t I know I d have said something too sharp to Rachel before everybody. Anne s got plenty of faults, goodness knows, and far be it from me to deny it. But I m bringing her up and not Rachel Lynde, who d pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I m real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you re judging her too hasty, Marilla. Don t call her untrustworthy until you re sure she has disobeyed you. Mebbe it can all be explained--Anne s a great hand at explaining." "She s not here when I told her to stay," retorted Marilla. "I reckon she ll find it hard to explain THAT to my satisfaction. Of course I knew you d take her part, Matthew. But I m bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover s Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne s table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don t look at me. I m in the depths of despair and I don t care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don t suppose I ll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don t look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne s hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it s GREEN!" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne s hair at that moment. "Yes, it s green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it s ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it s too cold up here--and tell me just what you ve done. I ve been expecting something queer for some time. You haven t got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn t you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I d decided it was worth while to dye my hair I d have dyed it a decent color at least. I wouldn t have dyed it green." "But I didn t mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they re not. I have proof now--green hair is proof enough for anybody. But I hadn t then and I believed every word he said IMPLICITLY." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don t believe in encouraging them to come around at all." "Oh, I didn t let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn t an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn t wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he d sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I ve been repenting ever since." "Well, I hope you ll repent to good purpose," said Marilla severely, "and that you ve got your eyes opened to where your vanity has led you, Anne. Goodness knows what s to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn t wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they ll never forget this. They will think I am not respectable. Oh, Marilla, `what a tangled web we weave when first we practice to deceive. That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I CANNOT face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne s unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly "It s no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can t go out with it looking like that." Anne s lips quivered, but she realized the bitter truth of Marilla s remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I m sure I wouldn t mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you ve dyed it a dreadful color, is there? I m going to weep all the time you re cutting it off, if it won t interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I ll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I d do penance for being wicked that way. I ll look at myself every time I come to my room and see how ugly I am. And I won t try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne s clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn t say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It s hard to be told you look like a scarecrow and I wanted to say something back. But I didn t. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn t it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it s better to be good. I know it is, but it s sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I ll have to see a doctor about them. As for your chatter, I don t know that I mind it--I ve got so used to it." Which was Marilla s way of saying that she liked to hear it. CHAPTER XXVI UP CHAPTER XXVIII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 19 44 (Tue)
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http //www.buckcherry.com/ http //www.myspace.com/buckcherry member ( L to R ) Xavier Muriel drums Stevie D. guitar Jimmy Ashhurst bass Joshua Todd vocal Keith Nelson guitar ex-member Yogi guitar Jonathan Brightman bass Devon Glenn drums All Night Long Fifteen Time Bomb Buckcherry LiveLive @ Nippon Budokan, Tokyo Feburary 19th 2015 thu Live @ Saitama Arena, Saitama, Japan October 19th 2008 Sunday Live @ Rockford Speedway ( Wing Ding ), Rockford, IL, US May 27th 2007 DVDLive In Jones Beach, NY July 8th 2008 All Night Long 2010年8月3日 ( HD ) 1. All Night Long / 2. It s A Party / 3. These Things / 4. Oh My Lord / 5. Recovery / 6. Never Say Never / 7. I Want You / 8. Liberty / 9. Our World / 10. Bliss / 11. Dead Fifteen 2005年10年5日 1. So Far / 2. Next 2 You / 3. Out Of Line / 4. Everything / 5. Carousel / 6. Sorry / 7. Crazy Bitch / 8. On Set / 9. Sunshine / 10. Brooklyn / 11. Broken Glass / 12. Back In The Day / 13. Pump It Up Time Bomb 2001年3月14日 1. Frontside / 2. Ridin / 3. Time Bomb / 4. Porno Star / 5. Place In The Sun / 6. ( Segue ) Helpless / 7. Underneath / 8. @*# ! My Wrists / 9. Whiskey In The Morning / 10. You / 11. Slamin / 12. Fall / 13. Good Things [ JP bonus track ] / 14. Open My Eyes [ hidden track ] produced by John Travis Buckcherry 1999年 4月21日 1. Lit Up / 2. Crushed / 3. Dead Again / 4. Check Your Head / 5. Dirty Mind / 6. For The Movies / 7. Lawless And Lulu / 8. Related / 9. Borderline / 10. Get Back / 11. Baby / 12. Drink The Water / 13. Late Nights In Voodoo [ japan bonus track ] produced by John Travis Steve Jones Live Live @ Nippon Budokan, Tokyo Feburary 19th 2015 thu 1. SE / 2. Lit Up / 3. Broken Glass / 4. All Night Long / 5. Somebody Fucked With Me / 6. Sorry / 7. Say Fuck It / 8. Ridin / 9. Gluttony / 9. Crazy Bitch http //www.vamparkfest.com/ Live @ Saitama Arena, Saitama, Japan October 19th 2008 Sunday 1. S.E. / 2. Dirty Mind / 3. So Far / 4. Broken Glass / 5. Lit Up / 6. Rescue Me / 7. Don t Go Away / 8. Too Drunk ... / 9. Next 2 You / 10. Onset / 11. Everything / 12. Sorry / 13. Crazy Bitch Live @ Rockford Speedway ( Wing Ding ), Rockford, IL, US May 27th 2007 1. So Far / 2. Broken Glass / 3. Porno Star / 4. Fall / 5. Out Of Line / 6. Everything / 7. Sorry / 8. Crazy Bitch / 9. Next 2 You / 10. Ridin / 11. Onset / 12. Lit Up DVD Live In Jones Beach, NY July 8th 2008 Cure Fest 2008 1. Fall / 2. Next 2 You / 3. Too Drunk / 4. Everything / 5. Sorry / 6. Crazy Bitch
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Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Very High Strength Cement-Based Materials Symposium Held November 27-28, 1984, Boston, Massachusetts, U.S.A. Materials Research Society? J. F. Young? MaterialsResearchSociety? J.F.Young? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Applied Materials Characterization Symposium Held April 15-18, 1985, San Francisco, California, U.S.A. Materials Research Society? MaterialsResearchSociety? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Beam-Solid Interactions and Phase Transformations Symposium (Materials Research Society Symposia Proceedings, Vol 51) Materials Research Society? H. Kurz? MaterialsResearchSociety? H.Kurz? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Rapidly Solidified Alloys and Their Mechanical and Magnetic Properties Symposium (Materials Research Society Symposium Proceedings) Materials Research Society? B. C. Giessen? MaterialsResearchSociety? B.C.Giessen? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Oxygen, Carbon, Hydrogen and Nitrogen in Crystalline Silicon Symposiumheld December 2-5, 1985, Boston, Massachusetts, U.S.A. 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Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Composites? Frontiers in Materials Education Symposium Held December 2-4, 1985, Boston, Massachusetts, USA (Materials Research Society Symposia , Vol 66) Materials Research Society? L. W. Hobbs? MaterialsResearchSociety? L.W.Hobbs? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-General Materials Characterization Symposium Held April 15-17, 1986, Palo Alto, California U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? Nathan Cheung? MaterialsResearchSociety? NathanCheung? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Testing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Testing? Beam-Solid Interactions and Transient Processes Symposium (Materials Research Society Symposium Proceedings) Materials Research Society? Michael O. Thompson? S. Thomas Picraux? James S. Williams? MaterialsResearchSociety? MichaelO.Thompson? S.ThomasPicraux? JamesS.Williams? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Photon, Beam, and Plasma Stimulated Chemical Processes at Surfaces (Materials Research Society Symposia Proceedings, Vol 75) Materials Research Society? Vincent M. Donnelly? Irving O. Herman? Masataka Hirose? MaterialsResearchSociety? VincentM.Donnelly? IrvingO.Herman? MasatakaHirose? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Scattering, Deformation, and Fracture in Polymers Symposium Held December 1-4, 1986, Boston, Massachusetts, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? G. D. Wignall? B. Crist? Thomas P. Russell? E. L. Thomas? MaterialsResearchSociety? G.D.Wignall? B.Crist? ThomasP.Russell? E.L.Thomas? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-General Characterization of Defects in Materials (Materials Research Society Symposia Proceedings, Vol 82) Materials Research Society? Richard W. Siegel? Julia R. Weertman? Robert Sinclair? MaterialsResearchSociety? RichardW.Siegel? JuliaR.Weertman? RobertSinclair? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Chemical-StructuralProperties? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-StructuralProperties? Subjects-Professional&Technical-Engineering-General Physical and Chemical Properties of Thin Metal Overlayers and Alloy Surfaces (Materials Research Society Proceedings, Vol 83) Materials Research Society? D. M. Zehner? Denise W. Goodman? MaterialsResearchSociety? D.M.Zehner? DeniseW.Goodman? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Microstructural Development During Hydration of Cement Symposium Held Dec 2-4, 1986, Boston Mass, U.S.A. (Materials Research Society Symposia Proce) Materials Research Society? Leslie J. Struble? Paul W. Brown? MaterialsResearchSociety? LeslieJ.Struble? PaulW.Brown? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-Materials-Concrete? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Concrete? Subjects-Professional&Technical-Engineering-General 洋書
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第二幕 Nr. 5 - 導入 平和の使者の合唱、リエンツィ、バロンチェリ、チェッコ、元老院議員たち 平和の使者たち （舞台の上で。かなり遠くから） 谷よ、歓声を上げよ。 山よ、喜べ。 野原は自由に光り輝き、 祝福に満ちている。 谷よ、歓声を上げよ。 山よ、喜べ。 幕が開く。 舞台はしばらく無人のままである。歌は通りの方から次第に近づき、歌のちょうど半ばあたりで、一人の使者を先頭に行列がゆっくりと大きな門から入ってくる。彼らは皆祝典用のアンティークな白い衣装に身を包み、銀の杖を手にしている。 平和の使者たち ローマ人たちよ、幸せをもたらす 平和の知らせをお聞きください。 幸福はローマのあらゆる道へと 喜びにあふれて歩んでいきます。 明るい太陽の光は 闇に包まれた崖底にまで届き、 船は安全な入り江に 楽しげに帆を下ろします。 平和が来たのです！ 自由の光が輝くのです！ 谷よ、歓声を上げよ。 山よ、喜べ。 リエンツィがチェッコ、バロンチェリ、及び元老院議員たちを伴って登場する。 リエンツィ 平和の使者よ、任務は 果たしたか？ ローマ中を回り、 平和を告げ知らせたか？ 一人の平和の使者 都会から田舎にいたるまで参りましたし、 海辺も隈なく回りました。 ローマの彼方にある田舎にまで 翼が生えたように楽々と行ってきました。 どこに行っても平和が支配し、 喜びの声がこだましていました。 牧人は楽しげに羊を追い、 野原には果実が豊かに実り、 城の堤防はみな崩されました。 すべてのローマ人は自由になったのです。 平和の使者たち、一人の平和の使者 ローマの彼方にある田舎にまで 翼が生えたように楽々と行ってきました。 どこに行っても平和が支配し、 喜びの声がこだましていました。 牧人は楽しげに羊を追い、 野原には果実が豊かに実り、 城の堤防はみな崩されました。 すべてのローマ人は自由になったのです。 リエンツィ 神よ、あなたの力に感謝を！ 使命を果たせたのはあなたのおかげです！ バロンチェリ、チェッコ、元老院議員たち すべての幸福はあなたのおかげです。 偉大なるローマ人に祝福を！ リエンツィ 使者たちはもう行きなさい。 ローマ中を回って 皆に平和を知らせるのだ。 使者たちは讃歌を歌いながらゆっくりと門から出て行く。歌はだんだん通りのほうへ消えていく。 平和の使者たち ローマ人たちよ、幸せをもたらす 平和の知らせをお聞きください。 幸福はローマのあらゆる道へと 喜びにあふれて歩んでいきます。 明るい太陽の光は 闇に包まれた崖底にまで届き、 船は安全な入り江に 楽しげに帆を下ろします。 平和が来たのです！ 自由の光が輝くのです！ 谷よ、歓声を上げよ。 山よ、喜べ。 リエンツィは無言で祈りを捧げる。 ステファノ・コロンナ、オルシーニ、及び貴族たちが平和の衣装で登場し、傲慢ながらも敬意を表しながらリエンツィにあいさつする。 コロンナ リエンツィよ、我々も平和を誓おう！ リエンツィ ああ、ありがとう！これ以上望むことがあるだろうか。 暴虐の限りを尽くしていた敵が皆して帰ってきて、 ローマに忠誠を誓ってくれるとは！ コロンナ リエンツィよ、尊敬しておるぞ。 まさかこのような偉業を成し遂げるとは思いもしなかったが。 心から敬意を表しよう！ リエンツィ いや、私にではなく、平和と掟に 敬意を表してくれ。 忘れないでくれ、かつて 我々は敵だった。そなたらに門戸が開かれたのは そなたらが忠誠を誓ったからなのだ。 そなたらは卑しい平民に従うことを 誓ってくれた！ そなたらの城が崩れ去ったのを見ただろう。 そなたらはあの城で威張り、ローマを盗賊の巣と変えたのだ。 権力が失墜したからといって恨んではならない。 この新しい日に心をほぐすのだ。 これからはわずかなりとも道を外れてはならない！ 掟の守り手としてそなたらに命じる。 私が護民官なのだから。 （いささか尊大だが、親切な口調で） ところで、この広間で祝典が行われるが、 そなたらも来てくれるだろうね。 彼はチェッコとバロンチェリ、及び元老院議員たちを伴って退場。 Nr. 6 - 情景、三重唱と合唱 オルシーニ、コロンナ、貴族たち。後からアドリアーノ。 オルシーニ おい、コロンナ、あのふてぶてしい態度を見たか？ こんなに侮辱されてるのに我慢しなきゃならんわけか？ コロンナ まったく悔しくてならぬ！私が嘲った あの平民風情が、こんな立場に収まろうとは！ オルシーニ だが、どうしたらいいんだ？こっちは負けたんだ。 我々が足で踏みにじってきたあいつが 今や護民官ときてるからな！ 民主は皆武装してやがるし、 誰も彼も あの平民を崇め奉ってる。 コロンナ あの卑しい平民めが！ リエンツィが騎士などと！ あいつを引きずり下ろせ！ 貴族たちはオルシーニとコロンナの周りを囲む。アドリアーノがそっと登場し、様子を観察しながら気づかれないようにそっと彼らの中に紛れ込む。 オルシーニ やつ一人をやっつけりゃ 全部丸く収まるってわけか？ コロンナ そうとも。民衆は皆して やつのまやかしに踊らされているのだからな。 オルシーニ だが、あからさまに暴力をふるうにゃ おれたちは弱すぎるぜ。不可能だ。 コロンナ 尻込みしてどうするのだ。 やつを殺して 愚か者の血を流せ。 そうすれば栄光を奪い返せるのだ！ オルシーニ おお、そうか！やつを殺すのはむろん おれだろうな？ほかに適任者はいないぞ。 今日はこの広間で祝典が行われるからな、 皆はおれの後に続け。決してミスは犯さん。 コロンナ あいつが取り上げた四百本の槍を 奪い返して、 カピトールを征服しようではないか。 そうなればローマはふたたび我々のものだ！ オルシーニ、貴族たち （不気味な喜びをあらわにして） そのとおり！ アドリアーノ （飛び出してきてオルシーニとコロンナの前に立つ。） 謀反人ども！いったい、 何を企んでいる？何をする気だ？ オルシーニ おい、コロンナ。裏切られたようだぞ！ コロンナ （値踏みするようにアドリアーノをじろじろ見つめて） おまえは誰だ？おい、私の息子ではなかったのか？ まさか裏切るつもりじゃあるまいな？ アドリアーノ 僕はお父さんの息子ですが、騎士道に外れたくはありません。 一生名誉を重んじるつもりです。 僕は破廉恥なことなど一度もしたことがないし、 敵のオルシーニと関わったことなどないはずです。 オルシーニ 裏切り者め、厚かましいぞ！ コロンナ あの護民官からそんな言葉を覚えこんだな。 ああ、やっと分かったぞ。 おまえは堕落してしまった！ アドリアーノ お父さん、まだ改心していないのですか？ コロンナ 黙れ！おまえ、やつに丸め込まれたな。 護民官にへつらって父親を 裏切るつもりか？あの護民官め、憎いやつだ！ 待ってろ、あいつの命も風前の灯火だ！ アドリアーノ まさか、本気でなさるつもりですか？ 殺人なんかやめてください！ 忠誠を守らなくては。彼を罵っては いけません。あなた方の悪行は もうたくさんです！ オルシーニ 何と不誠実なやつだ！おい、コロンナ、 懲らしめてやったらどうだ？ コロンナ （アドリアーノにきびしく） よいか。今日、この大広間で あの護民官は我々の手にかかって死ぬのだ。 不届きな小僧め、よく肝に銘じておけ！ 暴露できるものならしてみろ！ アドリアーノ 恐ろしい！身の毛がよだつ！ お願いです、やめてください！ コロンナ 裏切り者め！おまえなど私の息子ではない！ オルシーニ 早く行こう、ここにいちゃ危ないぜ！ アドリアーノ お父さん、お願いだから聞いてください！ コロンナ 何を言っても無駄だ！私の決心は固い。 アドリアーノ どうか心を和らげて、僕のためだと思ってください！ お父さん、お願いです！ 貴族たち やつの言うことなど聞くな！さあ、行こう！ アドリアーノ （ひざまずいて） お父さん、あなたの足元でお願いします！ どうか僕を苦しめないでください！ コロンナ リエンツィは我々の手にかかって死ぬ。 わかったな。行け、暴露しろ！ アドリアーノ お父さんの名誉も考えて！ あなたの子どもの訴えを退けないでください！ 僕は死ぬほど苦しんでいます。 どうか絶望に追いやらないで！ オルシーニ、貴族たち いや、あいつを殺すと決めたのだ！ 我々の恥は今こそ償われる！ この広間は赤く血に染まり、 護民官は一生を終えるのだ！ コロンナ いや、あいつを殺すと決めたのだ！ 我々の恥を償わせるのだ！ 罵られたくなかったらあっちに行け。 父親殺しの汚名を着るがいい！ コロンナはアドリアーノを突き倒し、皆は脅すような身振りをしながら去っていく。 アドリアーノ （真っ青な顔をして地面から起き上がる。） それなら裏切り者になろう！ イレーネの兄、リエンツィは生きるんだ！ （出て行こうとするが、ふと恐ろしくなって立ち止まる。） 裏切り者！ああ、だったらどうしたらいいんだ！ そうなればお父さんは…お父さんの白髪頭が 切り落とされる！ああ、そんな、身の毛がよだつ！ （絶望して） ああ、天よ、僕の気が狂わないようにお守りください！ （退場。） Nr. 7 - フィナーレ ローマ市民の行列が門から入ってくる。先頭に元老院議員たち、つづいて貴族と民衆。皆祝祭にふさわしく着飾っている。 民衆 祝祭の響きが鳴りわたる！ 喜びの歌よ、響け！ 自由を勝ち取った喜びを 歌おう！ リエンツィが登場。 彼に伴ってイレーネ、バロンチェリとチェッコ。ー皆はあいさつする。 リエンツィ ようこそ、ローマ人たちよ！ 何と素晴らしい眺めだろう、 貴族も民衆も集まり、平和の祝典を訪れるとは。 平和を讃えよう！ローマは永久に栄えよ！ 民衆 平和を讃えよう！ローマは永久に栄えよ！ バロンチェリ 使者の方々がおいでです。 あなたにあいさつするため、あちこちの使者が来られていますよ。 ミラノの使者が甲冑に身を包んだ従者を連れて登場。 ミラノの使者 あなたにご挨拶を申し上げたく参りました。ふたたび よみがえったローマがいつまでも繁栄しますように！ 従者を連れたロンバルディの使者たち。 ロンバルディの使者たち ローマの護民官にご挨拶するべく、 我々はロンバルディの各国から参りました。 従者を連れてナポリの使者。 ナポリの使者 おめでとうございます。ローマが栄えるように、と ナポリの女王からの挨拶を持ってまいりました。 従者を連れたボヘミアとバイエルンの使者たち。 ボヘミアとバイエルンの使者たち ドイツからあいさつに参りました。 あなたとローマが栄えるよう祈っております。 リエンツィ ああ、ありがとう。ローマを代表して感謝しよう。 この美しい結びつきがいつまでも続くように！ （次第に陶酔して） 神は私を通して奇跡を起こされたが、 さらに偉大なことを成し遂げようとなさっている。 ローマだけが自由になっただけでは足りない。 イタリア中が自由を勝ち取らなければならないのだ！ イタリア同盟万歳！ 民衆、バロンチェリ、チェッコ、イタリアの使者たち イタリア同盟万歳！ リエンツィ そこで神はなおも私に指示を出して動かされた。 ローマ市民として 与えられた権限のもとに、 私はドイツの諸侯を招待した。 もうじき新皇帝が選ばれるが、 彼の力はローマにも及ぶ。 皇帝はローマの王でもある。 永遠の自由と繁栄のため、 ローマも新皇帝の選出に積極的でなければならない！ センセーションが巻き起こる。ボヘミアとバイエルンの使者たちは驚き、感動した様子。 オルシーニ （こっそりコロンナに） 横着なやつだ！あいつ、気はたしかか？ コロンナ もうすぐおまえがやつを刺してやるのだ！ リエンツィ おい、旗手、祝祭の準備を頼む！ パントマイムの準備がはじまる。 アドリアーノ （気づかれないようにこっそりとリエンツィに） リエンツィ、気をつけてください！ リエンツィ 誰か裏切ろうとしているのか？ アドリアーノ とにかく気をつけてください。それ以上何もおっしゃらずに！ リエンツィ だから裏切りだろう？貴族の誰が陰謀を企んでいるのだ？ アドリアーノ いや、その、ただいやな予感がするだけです。 リエンツィ 心配するな。 鎖かたびらを着けているから。 彼はバロンチェリとともにその場を離れ、秘密裏に何か頼む。 パントマイムの準備が整うと、旗手が進み出る。 旗手 ローマの方々、祝典がはじまります。 高尚な演劇をご覧に入れましょう。 かつてルクレシアが亡くなった時、 ブルータスが勇敢にも復讐を果たし、 暴君タルキニウスを追放して、 ローマに自由をもたらした物語です。 パントマイム 侍女たちを従えたルクレシア、彼女の夫コラティヌス、ブルータスに率いられた多くのローマ人。 コラティヌス 「どうしても行かねばならぬのだ。暴君のタルキニウスから祝典に招待され、戦友たちを連れて行く必要があるのだ。」 ルクレシア：「どうか行かないでください。あなたがいないと不安です。」 コラティヌス：「この招待には応じなくてはならぬのだよ。暴君をなだめるためにはこれしか方法がないのだ。うまくやれば見事に滅ぼしてやれるかもしれぬのだから。」 ルクレシア：「お願いだから今日だけは置いて行かないでください。恐ろしい予感がするのです。昨日は夢見が悪かったのです。」 コラティヌス：「おまえ、病気なのかね？」 彼はヴィルジニアと侍女たちに、自分の留守の間ルクレシアを忠実に守り、楽しい催しで気晴らしをさせるよう命じ、妻に愛情を込めて別れを告げる。彼女は夫を激しく抱きしめる。夫は戦友たちと共に去る。ルクレシアは寝椅子に倒れこみ、憂鬱そうな物思いにふける。ヴィルジニアが心配そうに近づき、侍女たちに芝居や踊りをさせて、気分を明るくいたしましょうか、と問う。ルクレシアは同意する。侍女たちの数人が竪琴を取り、他の侍女たちは踊るために整列する。 バレエ。 タルキニウスが彼女らを窺っている。そばにつき従っている護衛たちは彼の命令で飛び出し、侍女たちと揉み合ったあげく、彼女たちを捕らえて無理やり連れ去ってしまう。 ルクレシアは恐ろしさのあまり気を失って倒れる。タルキニウスは彼女のそばに一人残り、抑えきれぬ欲望をもって彼女を見つめ、相手が気を失っているのをいいことに抱こうとする。 ルクレシアは失神から覚め、すぐに恐ろしい状況に気づいて震え上がり、逃げようとする。タルキニウスは彼女を引きとめ、ルクレシアは彼を避けようとする。 二人はしばらく揉み合う。 ルクレシアは何度も身をもぎ放し、あらゆる方向へ逃げようとするが、タルキニウスはどこまでも追って行って彼女を押さえ込む。 彼女は懇願するような、あるいは脅すような身振りで身を守ろうとするが、やがて絶望してひざまずき、自分の貞操を奪わないでほしいと懇願する。タルキニウスは彼女を立たせ、今度は自分がひざまずいて、自分の憧れを拒まないでほしいと頼む； 「おまえの美しさは私にあまりにも激しい火をつけたのだ。この炎は消そうにも消せない。考えてもみたまえ、私はローマの君主なのだぞ。私はすべての民衆を従わせる力を持っている。おまえになびくよう命じるのも簡単なのだ。」 ルクレシアは軽蔑もあらわに彼を突き飛ばす。タルキニウスは激怒し、今度こそ本気で彼女を犯そうとする。ルクレシアは絶望のうちにもう一度抵抗を試みるが、ついに力尽きる。 タルキニウスは彼女を捕まえ、寝椅子のほうに引きずっていく。 ルクレシアは突然、もう一度彼を突き飛ばし、剣を奪って、自分の名誉を奪うのなら自殺する、と脅す。 タルキニウスは荒々しく彼女に突進し、剣を取り返そうとするが、彼女はうまく身をかわし、剣を自らの胸に突き刺す。ルクレシアは息を引き取って倒れ、タルキニウスはあまりのことに呆然となる。 先ほどの護衛たちがコラティヌスが大勢の連れを伴って戻ってきたことを知らせに来る。タルキニウスは彼らとともに逃げ出す。 コラティヌス、ブルータス、ヴィルジニアと数人の若いローマ人が登場。ヴィルジニアは護衛たちから逃れ、コラティヌスのもとに急いで、すべてを話したのだった。 だが、彼らが目にしたのは亡骸だけである。コラティヌスは嘆き悲しみ、亡き妻の上に倒れこむ。皆恐ろしさのあまり凍りついたようになっている。 ブルータスが 最初に気を取り直し、コラティヌスを立たせてルクレシアの胸から剣を抜く。 この雄々しい行いを皆は驚きを持って見つめている。 ブルータスは両の手で剣を天に差し上げ、暴君を滅ぼすことを誓い、ほかの者にも剣を差し出して同じ誓いを立てるように言う。皆はブルータスの行いに感動し、剣にかけて暴君を倒すことを誓う。ブルータスは誓いをすぐに実行するよう呼びかけ、皆は行動を起こすことを決心する。 皆は剣を抜き、ルクレシアの遺体を高く掲げて、急いで出て行く。 タルキニウスが護衛たちと共に戻ってくる。彼はすっかり恐怖に取りつかれ、その歩みは弱々しくよろめきがちである。恐怖のあまりいらいらしながら何度も後ろを振り返る。護衛たちは逃げるように勧める。タルキニウスは自分の友でもある彼らの意見にようやく従うことにする。彼はもう一度振り返り、あたかも自分のすべてを失ったかのような身振りで身に着けていた宝石を投げ捨て、逃げていく。 ブルータス、コラティヌス、及びローマの青年たちが皆武器を持ち、タルキニウスを追って舞台に登場。ブルータスはそれ以上追うのを引きとめる。； 「勝利は決まったようなものだ。誓いは果たされる。暴君は滅び、ローマは解放される。」 彼は皆に武器を身に着けたまま、平和の象徴であるオリーブで身を飾るよう指示する。 「武器は身を守るためだけに身に着け、あたりを支配するのはいまや平和と自由である。自由と平和こそがあらゆる暴君から我々を守ってくれるのだ。」ブルータスはこのことを肝に銘じるよう、皆に言い渡す。皆は片手を剣に、もう一方の手を冠に当てて誓う。寓意的な踊り。 トランペットが鳴り響く。中世の衣装に身を包んだ騎士の行列が現れる。武器を外していたローマ人たちはブルータスに諭されて、新たな暴君たちの登場に備える。騎士たちは彼らを挑発し、ローマ人たちは武器を取って戦いはじめる。 戦い。 古代ローマ人たちは盾でカメを形作り、その上に指導者のブルータスが上るが、ふたたび地面に下りるなり圧倒的優勢で騎士たちに襲い掛かる。 勝利は決まり、騎士たちは屈する。 平和が戻り、乙女たちが中世の衣装をまとって出てくる。古代ローマ人と新ローマ人は和解する。 和平に従って古代ローマの乙女たちは中世の衣装をまとい、新ローマの乙女たちは古代の衣装で身を飾って平和の冠をかぶり、古代ローマ人たちと合流する。 古代ローマ人と新ローマ人が結びついたことを示す祝祭の踊り。 新ローマの旗がたなびく。観客の熱狂的なあいさつである。 オルシーニは踊りの終わりごろから徐々にリエンツィのほうににじり寄っていたが、今ついに彼の胸に短剣を突き刺す。オルシーニを注意深く目で追っていたアドリアーノはあわてて飛び出すが、一撃を止めることはできなかった。広間に突然リエンツィの護衛がなだれこみ、わずかの間に貴族たちを取り押さえる。 民衆 リエンツィ！急げ！護民官を守れ！ リエンツィ （貴族たちに） 驚いたか？よく考え抜いた策略がなぜ失敗したか 分からぬようだな。 （マントを開いて、鎖かたびらに身を包んでいるのを 見せる。） 見よ、おまえたちの愛の矢から 私はちゃんと身を守っていたのだ。反逆者ども！ この反逆は私に対してのものではない。ローマへの、 ローマの自由への、ローマの掟への反逆だ！ 彼らはローマの再生を祝う 崇高な祝典を汚した。 ローマを取り戻したいやつにとっては 祝祭より陰謀のほうが大事だったのか。 皆の者、祝典は終わりだ。 これから裁判を始める。 皆はショックを受け、黙って出て行く。リエンツィ、元老院議員たち、チェッコとバロンチェリ、及び護衛に見張られた貴族たちだけが残る。 リエンツィ （元老院議員たちに） 彼らの罪はご覧の通りだ。 犯罪はあなた方の目前で行われたから疑いの余地はないだろう。 バロンチェリ それだけじゃありません！コロンナの連中は 槍を持って門を壊し、カピトールを 乗っ取ろうとしていたんですよ。 あなたが用心深かったおかげで鎮静できましたが。 リエンツィ 貴族たち、否定するか？ コロンナ 誰が否定するものか。 せいぜい空威張りをやって、我々の首を取ったらよろしい。 あなただって今のうちなのだから！ リエンツィ （ショックを受けて） なぜそんな陰険なことを言うのだ？ （気を奮い立たせて） 彼らを法律に従って裁け！ チェッコ 法律に従い、 チェッコ、元老院議員たち 彼らを斬首刑に処す！ リエンツィ よし、それならば処刑の準備をしろ！ 貴族たちは元老院議員と護衛たちから、先に赤いカーテンで締め切られていた後方の広間に連れ去られる。カピトールの鐘が陰鬱に響くのが聞こえる。 リエンツィ一人。 かわいそうな弟よ、おまえの復讐は 私ではなくローマによって果たされることになった。 アドリアーノとイレーネが飛び込んでくる。 アドリアーノ ああ、よかった！彼一人だ！ リエンツィ、父に会わせてください！ イレーネ 彼のお父さまは！彼をどうするつもり？ リエンツィ 陰謀の首謀者として死刑にする！ アドリアーノ ああ、そんなひどい！護民官、お願いです。 僕は父を裏切ってまで警告したではありませんか。 僕を父殺しにするおつもりですか？ リエンツィ きみはローマ人であって、 あの裏切り者の息子ではない！忘れるな！ アドリアーノ あなたは自由のために 肉親の繫がりまで犠牲になさるおつもりですか？ ああ、それなら護民官も自由もないほうがよかった！ リエンツィ しっかりしろ！肉親も何もあったものか。 神の御心が汚されたのだ！ 偽誓と殺人が行われたのだぞ！コロンナは死刑だ！ アドリアーノ あなたは自由のことばかり目が行っておいでなんですね！ （説得しようとして） 僕は肉親を殺されたら復讐しますよ。 その時狙われるのはあなたの血なんです！ リエンツィ おまえは究極のばかだ！そんな脅し文句でどうするのだ？ カーテンの向こうの広間から、貴族たちに死の心構えをさせる僧侶たちの歌が聞こえる。 僧侶たち （後方から） 貴族らよ、 汝の恐ろしき罪を思え！ アドリアーノ 恐ろしい！何と陰鬱な響きだ！ どうか僕を殺人犯にしないでください。 イレーネ お兄様、お願い、慈悲の心を持って！ お父様の首を切ったりしないで！ 門の向こうから民衆の声が聞こえてくる。 民衆 裏切り者に死を！ リエンツィ あの声を聞け！私に向かって叫んでいる。 ああ、慈悲を与えれば掟に反してしまう！ イレーネとアドリアーノはリエンツィの足下にすがって懇願する。 アドリアーノ、イレーネ あなたのお足下でお願いします。 どうかお慈悲を。父の/お父様の命を助けてください！ リエンツィ 仕方がない。では私がどうするか聞いていなさい。 リエンツィの合図で垂れ幕が上げられると、貴族たちが一人ずつ僧侶に付き添われ、死の恐怖におびえながら祈っているのが見える。民衆の声が門の外から聞こえてくる。貴族たちは前方に連れて来られる。 民衆 （外から） 貴族たちを殺せ！ 裏切者には死を！ （民衆が大勢門からなだれ込んでくる。） 死刑だ！裏切り者は処刑されるのだ！ 反逆者は滅ぼされる！死ぬのだ！ リエンツィ （民衆のほうへ歩いて行き） 聞いてくれ。貴族どもは私を殺そうと 企んだが… 民衆 彼らはその罪を償わなくてはならない！ リエンツィ 聞いてくれ、ローマ人たちよ。 慈悲の心を持って彼らを赦してやってくれ。 チェッコ 護民官、気はたしかですか？ 民衆 いいえ、決して赦しません！ 死刑だ！裏切り者は処刑されるのだ！ 反逆者は滅ぼされる！死ぬのだ！ リエンツィ 彼らが殺そうとしたのは私なのに、 なぜそなたらが怒り狂うのだ？ よろしい、そなたらにお願いしよう。 そなたらが私を愛してくれるのなら赦してやってくれ！ バロンチェリ 気が狂われたようだ！皆の者、気にしないように！ リエンツィ ローマ人たちよ、 私はおまえたちを解放した。平和を 汚してはならぬ。血を流してはいけないのだ。 慈悲をかけてやりなさい。護民官の私からお願いしよう！ 民衆 でも、やつらはあなたを、我々の救い主であり 自由の導き手であるあなたを殺そうとしたじゃありませんか。 リエンツィ 慈悲を与え、もう一度 忠誠を誓わせなさい。 今度こそは決して裏切らないであろう。 貴族たちよ、誓いを立てるか？ コロンナ、オルシーニ、貴族たち （後悔したようすで） はい！ チェッコ 後悔することになりますよ！ リエンツィ 天の慈愛を忘れず、 彼らにもう一度チャンスを与えてやりなさい。 あなた方から赦され、忠誠を誓った彼らこそ 心から後悔している！ だが、もしまたこの誓いを破るようなことがあれば この三倍もの苦しみが待っている！ その時こそは決して赦されることはなく、 反逆者どもは永遠に呪われるがいい！ アドリアーノ、イレーネ 雲の切れ目から太陽がきらめくように、 彼の慈悲はあらゆる苦しみから解き放ってくれる。 彼の優しい天の光は 後悔する心に染み渡るにちがいない（わ）。 バロンチェリ、チェッコ 慈悲を与えるなぞ、いらんお節介なのに。 護民官はきっとこのことを後悔することになるぞ。 こいつらを赦したって ますます憎悪を増すばかりだ！ コロンナ、オルシーニ 何だ、高慢にも慈悲を与えるなど！ 死刑は免れてもこんな辱めを受けなきゃならんとは！ 貴族たるもの決してこの侮辱は忘れんぞ。 おまえをきっと憎み殺してくれる！ 民衆 護民官、犯罪者の運命は あなたがお決めになってください。 あなたの下される決定に 我々は喜んで従いましょう。 リエンツィ さあ、貴族たちよ、民衆はそなたらを赦した。 解放してやろう。ローマの良き市民となれ！ アドリアーノ、イレーネ （リエンツィの足元にひざまずいて） リエンツィ、あなたの名は敬われ、 その気高い心に報いられるでしょう。 月桂冠が頭に飾られて、 あなたは賞賛されるのです！ ローマが世界の終わりまで 長く繁栄したとしても、 あなたのお名前は決して忘れられることはないでしょう。 あなたこそは偉大なる平和の英雄！ バロンチェリ、チェッコ この高慢ちきな泥棒どもは じきまた裏切るに決まってるのに。 やつらが誓ったって誰が信じるものか。 やつらが死なないことには安心できない！ コロンナ、オルシーニ、貴族たち 慈悲などを与えられては 我が誇り高き心が傷つく！ 近いうちにこの恨みは 血によって晴らしてやるぞ！ 民衆 リエンツィ、あなたの名は敬われ、 その気高い心に報いられるでしょう。 月桂冠が頭に飾られて、 あなたは賞賛されるのです！ ローマが世界の終わりまで 長く繁栄したとしても、 あなたのお名前は決して忘れられることはないでしょう。 あなたこそは偉大なる平和の英雄！ ZWEITER AKT Nr. 5 - Introduktion Chor der Friedensboten, Rienzi, Baroncelli, Cecco, Senatoren CHOR DER FRIEDENSBOTEN auf dem Theater, sehr entfernt Jauchzet, ihr Täler! Frohlockt, ihr Berge! Frei prangt die Flur, erfüllt von Segensspur! Jauchzet, ihr Berge! Frohlockt, ihr Täler! Der Vorhang geht auf. Die Bühne bleibt noch eine Zeitlang leer. Den folgenden Gesang der Friedensboten hört man wie aus den Strassen näherkommend, bis diese selbst mit dem ersten Friedensboten an der Spitze gegen die Mitte des Gesanges durch das grosse Portal in einem langsamen Zuge auftreten. Sie sind festlich antik in Weiss gekleidet und tragen silberne Stäbe. CHOR DER FRIEDENSBOTEN Ihr Römer, hört die Kunde des holden Friedens an Auf Romas heil gem Grunde wallt freudig jede Bahn! In düstrer Felsen Schluchten drang goldner Sonne Schein; in Meeres sichren Buchten zieht froh die Segel ein! Denn Friede ist gekommen, der Freiheit Licht gewonnen! Jauchzet, ihr Täler! Frohlockt, ihr Berge! Rienzi tritt auf mit Cecco, Baroncelli und den Senatoren. RIENZI Du, Friedensbote, sage an, hast deine Sendung du vollbracht? Zogst du durchs ganze Römerland und bringest Frieden du und Segen uns? ERSTER FRIEDENSBOTE Ich sah die Städte, sah das Land, ich zog entlang des Meeres Strand; so weit das Land der Römer reicht, trug mich mein Fuss beschwingt und leicht. Und Frieden fand ich überall, froh tönt des Jubels Widerhall. Frei treibt der Hirt die Herde hin, reich prangt der Felder Fruchtgewinn. Der Burgen Wälle stürzen ein, denn frei will jeder Römer sein. CHOR DER FRIEDENSBOTEN, ERSTER FRIEDENSBOTE So weit das Land der Römer reicht, trug uns der Fuss beschwingt und leicht, und Frieden fand ich überall, froh tönt des Jubels Widerhall. Frei treibt der Hirt die Herde hin, reich prangt der Felder Fruchtgewinn. Der Burgen Wälle stürzen ein, denn frei will jeder Römer sein. RIENZI Dir Preis und deiner hohen Macht! Durch dich, mein Gott, hab ich s vollbracht! BARONCELLI, CECCO, SENATOREN Dir alles Glück verdanken wir, dem grössten Römer, Ehre dir! RIENZI Geht, Friedensboten, ziehet denn durch alle Strassen Romas hin, bringt jedem Römer eure Kunde! Die Friedensboten verlassen unter Anstimmung der Hymne langsam durch das Portal die Bühne. Der Gesang verhallt zum Schluss in den Strassen. CHOR DER FRIEDENSBOTEN Ihr Römer, hört die Kunde des holden Friedens an Auf Romas heil gem Grunde wallt freudig jede Bahn! In düstrer Felsen Schluchten drang goldner Sonne Schein; in Meeres sichren Buchten zieht froh die Segel ein! Denn Friede ist gekommen! Der Freiheit Licht gewonnen! Jauchzet, ihr Täler! Frohlockt, ihr Berge! Rienzi ist in stummes Gebet versunken. Steffano Colonna, Orsini und die Nobili, alle in Friedensgewändern, treten auf und grüssen Rienzi mit stolzer Unterwürfigkeit. COLONNA Rienzi, nimm des Friedens Gruss! RIENZI Heil euch! - Was fehlt noch Rom zu seinem Glücke, da seine mächt gen, stolzen Feinde jetzt zurückgekehrt und Treue ihm geschworen! COLONNA Rienzi, ich bewundre dich; zwar sucht ich diese Grösse nie in dir, doch sei s darum! Ich will sie anerkennen! RIENZI Des Friedens, des Gesetzes Grösse nur, nicht meine, sollt ihr anerkennen! Vergesst es nie, dass dieser Preis es war, um den wir kämpften; - dass diese Tore sich euch öffneten, nur da ihr Treu ihm schwurt, dass ihr ihm untertan sein sollt wie der geringste der Plebejer! Die Mauern eurer Schlösser saht ihr fallen, durch die ihr Rom zum Räuberlager machtet. Weh euch, wenn ihr drum Groll noch nährt, wenn euer Herz der neue Tag noch nicht erwärmt! Weh euch beim kleinsten Übertritt! Denn ich vor allem schütze das Gesetz, ich, der Tribun. Mit freundlicher Herablassung. Ihr Herrn und Edlen, ich erwarte euch zum Feste in diesen Sälen! Er geht ab mit Cecco, Baroncelli und den Senatoren. Nr. 6 - Szene, Terzett und Chor Orsini, Colonna, Nobili. Später Adriano. ORSINI Colonna, hörtest du das freche Wort? Sind wir verflucht, zu dulden solche Schmach? COLONNA Ha, wie ich knirsche! Der Plebejer, er, den ich zum Spott an meiner Tafel hielt! ORSINI Was ist zu tun? Wir sind besiegt. Und dieser Pöbel, den mit Füssen wir getreten, wie verwandelte er sich! Die Masse ist bewaffnet, Mut und Begeisterung in jedem der Plebejer. COLONNA Der Pöbel - ha! Rienzi ist s, der ihn zu Rittern macht. Nimm ihm Rienzi, und er ist, was er war. Die Nobili schliessen einen engeren Kreis um Orsini und Colonna. Adriano tritt ungesehen auf, beobachtet die Gruppe und mischt sich unbemerkt unter sie. ORSINI So wäre denn auf ihn allein der Streich zu führen, der uns frommt? COLONNA Er ist der Götze dieses Volks, das er durch Trug verzaubert hält. ORSINI Doch für Gewalt und offne Tat sind wir zu schwach, vermögen nichts. COLONNA Was bleibt uns übrig? Tötet ihn inmitten dieser Narrenbrut, hin ist die Pracht und uns der Preis! ORSINI Ha, du sprichst wahr! Und diesen Stoss, wer führt ihn sichrer wohl als ich? Heut ist das Fest in diesen Sälen, schliesst euch um mich, ich fehle nie! COLONNA Vierhundert Lanzen, denen er die Stadt verschloss, bring ich herein, besetze schnell das Kapitol, und Rom gehört von neuem uns. ORSINI, NOBILI wild auffahrend So sei s! ADRIANO tritt hervor und steht vor Orsini und Colonna Ha, Meuchelmörder! Sprecht, was habt ihr vor? Was brütet ihr? ORSINI Colonna, sprich, sind wir verraten? COLONNA misst Adriano mit scharfem Blicke Wer bist du? Sag, bist du mein Sohn? Ha, oder bist du mein Verräter? ADRIANO Des ritterlichen Vaters Sohn, der Ehre bis ins Alter liebte, der fremd war jeder Bubentat, Orsinis Feind und seiner Rotte. ORSINI Verräter, frecher Knabe du! COLONNA Lehrt solches Wort dich der Tribun? Weh dir, erkenne ich für wahr, wie ich sie ahne, deine Schmach! ADRIANO Bist du noch immer blind, mein Vater? COLONNA Ha, schweig! Du bist in seinen Händen, und zum Verräter am eignen Vater benutzt dich der Tribun! Fluch ihm! Erschienen sei sein letzter Tag! ADRIANO O Gott, so hört ich wirklich recht? Ihr brütet finstern Meuchelmord? Lasst euch beschwören, o beschimpft nicht so die Namen, schon genug befleckt durch Raubtat und Gewalt! ORSINI Hört den Treulosen! - Wie, Colonna, du züchtigst deinen Knaben nicht? COLONNA hart an Adriano So wisse! Heut, in diesen Sälen, stirbt der Tribun von unsrer Hand. Du weisst s, Verworfner! Geh denn hin, verrate ihm mich, deinen Vater! ADRIANO Entsetzlich! Ha, mein Schreckenslos! Sieh meine Angst, erhör mein Flehen! COLONNA Verräter bist du, nicht mein Sohn! ORSINI Komm fort, nicht sicher sind wir hier! ADRIANO Mein Vater, bleib und hör mich an! COLONNA Vergebens, Bube, ich bin fest! ADRIANO Sei gnädig und erbarm dich mein! Mein Vater! DIE NOBILI Hör ihn nicht an! Auf, folge uns! ADRIANO auf den Knien Zu deinen Füssen fleht dein Sohn! Du bringst Verzweiflung auf sein Haupt! COLONNA Rienzi stirbt von unsrer Hand, du weisst s, geh hin, verrate mich! ADRIANO O hör der Ehre Hochgebot! Hör deines Sohnes Jammer an! Sieh mich in meiner Todesnot; Verzweiflung fasst mich Ärmsten an! ORSINI, NOBILI So sei s! Geschworen ist ihm Tod! Für unsre Schmach sei s jetzt getan! - In diesen Hallen, blutigrot, soll enden des Plebejers Bahn! COLONNA So sei s! Geschworen ist ihm Tod; für unsre Schmach sei s jetzt getan! - Flieh meinen Fluch, der dich bedroht, den Vatermörder trifft er an! Colonna stösst Adriano von sich zu Boden. Alle ausser Adriano entfernen sich unter drohenden Gebärden. ADRIANO richtet sich leichenblass vom Boden auf. Ich will denn ein Verräter sein Irenens Bruder, Rienzi, lebe! Er will abgehen, plötzlich schaudert er aber zurück. Verräter! Ha, was willst du tun? Mein Vater...er?...sein graues Haupt dem Henkerbeil? Ha, nimmermehr! in Verzweiflung Ihr Heil gen, schützt vor Wahnsinn mich! Er geht ab. Nr. 7 - Finale Der Zug der römischen Bürgerschaften naht sich durch das grosse Portal. Voran die Senatoren, ihnen folgen die Nobili und das Volk. Alle sind festlich geschmückt. VOLK Erschallet Feierklänge! Stimmt Jubellieder an! Ihn ehren die Gesänge, der Freiheit uns gewann! Rienzi tritt auf; mit ihm Irene, Baroncelli und Cecco del Vecchio. - Allgemeine Begrüssungen. RIENZI Seid mir gegrüsst, ihr Römer all! Ha, welch ein Anblick beut sich mir dar, vereint, geschmückt zum Friedensfest! - Der Friede hoch! Lang blühe Rom! VOLK Der Friede hoch! Lang blühe Rom! BARONCELLI Es nahen die Gesandten sich, die Nah und Fern dir zugesandt! Der Gesandte Mailands tritt auf mit einem glänzenden Gefolge. DER GESANDTE MAILANDS Heil dir, und ewiges Gedeihn wünscht Mailand dem erstandnen Rom! Die Gesandten der Lombardei mit Gefolge. DIE GESANDTEN DER LOMBARDEI Gruss jeder Stadt der Lombardei entbieten wir dem Schützer Roms. Der Gesandte Neapels mit Gefolge. DER GESANDTE NEAPELS Ruhm dir, und hohe Ehre Rom bezeigt Neapels Königin! Die Gesandten Böhmens und Bayerns mit Gefolge. DIE GESANDTEN BÖHMENS UND BAYERNS Von Deutschland her kommt dir der Gruss Gedeihen dir und Ehre Rom! RIENZI Im Namen Roms nehmt vollen Dank! Nie ende Neid den schönen Bund! - in wachsender Begeisterung Ja, Gott, der Wunder schuf durch mich, verlangt, nicht jetzt schon stillzustehn. So wisst, nicht Rom allein sei frei - nein, ganz Italien sei frei! Heil dem ital schen Bunde! VOLK, BARONCELLI, CECCO, DIE GESANDTEN ITALIENS Heil dem ital schen Bunde! RIENZI Und weiter noch treibt Gott mich an! - Im Namen dieses Volks von Rom und kraft der mir verliehnen Macht lad ich die Fürsten Deutschlands vor, bevor ein Kaiser sei gewählt, sein Recht den Römern darzutun, mit dem er König Roms sich nennt. Auch Rom erwähle ihn so fort denn Rom sei frei und blühe lang! Ausserordentliche Sensation; betroffene Bewegung der Gesandten Böhmens und Bayerns. ORSINI heimlich zu Colonna Der Übermüt ge! Ist er toll? COLONNA Ha, fast erspart er dir den Stoss! RIENZI Herold, beginnen mag das Fest! Vorbereitungen zur Pantomime. ADRIANO unbemerkt und heimlich zu Rienzi Rienzi, sei auf deiner Hut! RIENZI Droht mir Verrat? ADRIANO Schütz dich! Nichts weiter! RIENZI Verrat? Von wem als diesen Edlen? ADRIANO Nur meine Ahnung! RIENZI Fürchte nichts! Ein Panzerhemd deckt meine Brust! Er entfernt Baroncelli mit einem heimlichen Auftrage. Nachdem alles zur Pantomime geordnet ist, tritt der Herold vor. DER HEROLD Ihr Römer, es beginnt das Fest. Ein hohes Schauspiel stellt sich dar. Erfahret, wie einst Lucretias Tod, durch Brutus Heldentat gerächt, Tarquinius Tyrannei vertrieb und Romas Söhnen Freiheit gab. Pantomime Lucretia gefolgt von ihren Frauen; Collatinus, ihr Gatte, und mehrere angesehene Römer, unter ihnen Brutus. Collatinus er müsse sie verlassen, der Tyrann Tarquinius habe ihn zu einem Feste geladen, zu dem ihn seine Freunde begleiten würden. Lucretia - er solle sie nicht verlassen, ihr sei so bang in seiner Abwesenheit. Collatinus er müsse der Einladung Folge leisten, damit er den Tyrannen einlulle, um ihn desto sicherer zu verderben! Lucretia Sie beschwöre ihn von neuem, sie nur heute nicht zu verlassen; sie quälten die fürchterlichsten Ahnungen, zu denen sie grässliche Träume der vorigen Nacht trieben. Collatinus sie sei wohl krank? Er befiehlt Virginia und den Jungfrauen, während seiner Abwesenheit Lucretia treu zu bewachen und ihre Augen durch muntere Spiele zu erfreuen. Er nimmt zärtlich Abschied von Lucretia. Sie umarmt ihn heftig; - er geht mit seinen Freunden. Lucretia sinkt auf ein Ruhebett und verbleibt in schwermütiges Hinbrüten versunken zurück. Virginia naht sich Lucretia mit Teilnahme und richtet an sie die Frage, ob sie nicht erlauben wolle, dass die Jungfrauen sie mit Spiel und Tanz aufzuheitern suchen dürften? Lucretia willigt ein. Einige der Jungfrauen ergreifen Harfen, die anderen ordnen sich zu einem Tanze. Ballett. Tarquinius hat sie belauscht. Auf sein Geheiss brechen seine Trabanten hervor und bemächtigen sich nach einigem Kampfe der Jungfrauen, die sie mit sich fortführen. - Lucretia ist vor Schreck bewusstlos hingesunken. Tarquinius ist mit ihr allein; er betrachtet sie voll ungestümen Verlangens und sucht sich der Hingesunkenen zu bemächtigen; Lucretia erwacht aus ihrer Betäubung. Sie begreift schnell das Schreckliche ihrer Lage. Sie entsetzt sich und sucht zu entfliehen. Tarquinius hält sie zurück; - sie sucht ihn abzuwehren. Sie ringen eine Zeitlang. Oft macht sie sich los und sucht nach verschiedenen Seiten hin zu entfliehen; - überallhin folgt er ihr und hält sie zurück; - sie sucht ihn bald durch bittende, bald durch drohende Gebärden von sich abzuhalten. - In der Verzweiflung senkt sie sich auf die Knie; - und beschwört ihn, ihre Ehre zu schonen. Tarquinius hebt sie auf und kniet selbst vor ihr, indem er sie bittet, seinem Verlangen nicht zuwider zu sein; ihre Schönheit flösse ihm eine zu grosse Glut ein, als dass er sie nicht gelöscht sehen solle. Sie solle bedenken, dass er der Beherrscher der Römer sei, der über alle, auch über sie unumschränkt zu gebieten habe. Sie stösst ihn mit grimmiger Verachtung von sich; - dies reizt seine Wut; mit roher Gewalt sucht er sich jetzt ihrer zu bemächtigen; sie wehrt sich nochmals auf das Verzweifeltste; ihre Kräfte scheinen endlich zu sinken - er erfasst sie und schleppt sie nach dem Ruhebette - plötzlich stösst sie ihn aufs neue gewaltsam von sich; sie hat ihm das Schwert entrissen und droht ihm, sich zu durchbohren, wenn er nicht von ihr ablasse; er dringt demohngeachtet auf sie zu und sucht ihr das Schwert zu entreissen, sie wehrt ihn glücklich ab und stösst sich das Schwert in die Brust. Sie sinkt tot nieder. Tarquinius ist auf das Äusserste bestürzt. Seine Trabanten nahen sich mit der Nachricht, dass Collatinus mit vielen Begleitern zurückkehre. - Tarquinius entflieht mit ihnen. - Collatinus, Brutus, Virginia und eine Anzahl junger Römer treten auf Virginia hatte sich den Trabanten entrissen, war zu Collatinus geeilt und hat ihn von allem benachrichtigt, was in seiner Abwesenheit vorgefallen. - Sie erblicken die Leiche. Collatinus stürzt sich mit heftigem Schmerz über sie hin; - alle stehen von tiefem Entsetzen ergriffen. Brutus ermannt sich zuerst, erhebt Collatinus und zieht das Schwert aus Lucretias Brust. Mit heroischem Pathos, über den die anderen erstaunen, hebt Brutus mit beiden Händen das Schwert zum Himmel und schwört Untergang der Tyrannei. Er hält den übrigen das Schwert hin und fordert sie auf, denselben Schwur zu leisten. Alle sind durch Brutus hingerissen. Sie schwören auf das Schwert Bestrafung und Vertreibung der Tyrannei. Brutus fordert sie zum schnellen Vollzug des Schwures auf; sie sind entschlossen, sogleich alles zu wagen. Sie entblössen ihre Schwerter, heben Lucretias Leiche auf und eilen davon. Tarquinius kommt mit seinen Trabanten. Er ist auf der Flucht, sein Schritt ist matt und schwankend. Voll Entsetzen und Wut blickt er hinter sich; seine Begleiter fordern ihn auf zu fliehen. Seine Freunde bewegen ihn endlich, ihnen zu folgen. Er blickt noch einmal zurück, mit einer Gebärde, als ob nun alles verloren sei, wirft er sein Diadem von sich und entflieht. Brutus, Collatinus und die Scharen der römischen Jugend, alle in Waffen, gelangen, Tarquinius verfolgend, auf die Bühne. Brutus hält sie von der weiteren Verfolgung zurück; der Sieg sei entschieden, der Schwur erfüllt, der Tyrann vernichtet und Rom frei. Er fordert sie auf, die Waffen von sich zu legen und sich mit friedlichen Oliven zu schmücken, denn Friede und Freiheit solle nun herrschen, nur die Waffen sollten sie stets in Bereitschaft halten, Frieden und Freiheit gegen jeden Tyrannen zu schützen; er fordert sie auf, dies zu beschwören. Alle, in der einen Hand das Schwert, in der anderen den Kranz, beschwören, mit jenem diesen zu verteidigen. Festlicher Tanz mit Festhaltung der Allegorie. Trompeten ertönen. Ein Zug Ritter in mittelalterlichen Kostümen erscheint. Die Römer, die ihre Waffen bereits abgelegt, werden von Brutus ermahnt, sich gegen neue Tyrannen zu verteidigen. Sie werden von den Rittern herausgefordert, ergreifen die Waffen und beginnen den Kampf. Kampf. Die alten Römer bilden mit ihren Schilden eine Testudo, auf welche ihre Anführer, Brutus voran, steigen und von da herab die Ritter siegreich bekämpfen. Der Sieg ist entschieden, die Ritter unterliegen. Der Friede erscheint, ihm folgen Jungfrauen, in gemischt antikem und mittelalterlichem Kostüm. Der Frieden versöhnt die alten mit den neuen Römern. Auf sein Geheiss schmücken die mittelalterlich gekleideten Jungfrauen die alten, die antik gekleideten die neuen Römer mit Friedens-Kränzen und gesellen sich zu ihnen. Festliche Tänze, die Vereinigung des alten und neuen Roms versinnlichend. Die neuen Römischen Fahnen werden entfaltet; die Fahnen werden von den Zuschauern enthusiastisch begrüsst. Orsini hat sich während des Schlusses der Tänze immer dichter an Rienzi gedrängt und führt jetzt einen Dolchstoss nach dessen Brust. Adriano, der ihn fest beobachtet hat, fährt dazwischen, ohne jedoch den Stoss zurückhalten zu können. Die Säle sind plötzlich durch Rienzis Trabanten besetzt und die Nobili in einem Moment überwältigt. VOLK Rienzi! Auf! Schützt den Tribun! RIENZI zu den Nobili Ihr staunt? Begreift nicht das Misslingen der wohlberechnet schönen Tat? Er entblösst das Gewand auf seiner Brust, die mit einem hellen Panzer bedeckt ist. So seht denn, wie ich mich gewahrt vor eurer Liebe! Meuchelmord! Er galt nicht mir, nein, er galt Rom, galt seiner Freiheit, seinem Gesetz! Sie ekelte dies hohe Fest, das Roms Erstehung feierte! Viel edler ist ein Meuchelmord an dem, der Roma neu erschuf! Zu End, ihr Römer, sind die Feste, und das Gericht beginnet! Erschüttert und schweigend entfernt sich alles; nur Rienzi, die Senatoren, Cecco, Baroncelli und sämtliche Nobili, von den Trabanten bewacht, bleiben zurück. RIENZI zu den Senatoren Ihr saht, Signori, das Verbrechen, vor euren Augen ward s verübt. BARONCELLI Noch mehr! Colonnas Lanzenvolk durchbrach das Tor und suchte jetzt in Eil das Kapitol zu nehmen, das deine Vorsicht schon besetzt. RIENZI Ihr Edlen, leugnet ihr? COLONNA Wer leugnet? Zeig deinen Mut, nimm uns das Haupt auch deine Stunde ist nicht fern! RIENZI erschüttert Was willst du, düstre Mahnung, mir? Er ermannt sich schnell. So richtet sie nach dem Gesetz! CECCO Und das Gesetz spricht CECCO, SENATOREN Tod durchs Beil! RIENZI Nun denn, bereitet sie zum Tod! Die Nobili werden von den Senatoren und den Trabanten in den hinteren Saal geführt, vor welchem ein roter Vorhang herabgelassen wird. Man hört das dumpfe Geläute der Kapitol-Glocke. Rienzi allein. Mein armer Bruder, nicht durch mich, durch Roma selbst wirst du gerächt! Adriano und Irene stürzen herein. ADRIANO Den Heil gen Dank! Er ist allein... Rienzi! Gib mir meinen Vater! IRENE Sein Vater! Sprich, was ist sein Los? RIENZI Des Hochverräters Los, der Tod! ADRIANO Ha, nimmermehr! Bedenk, Tribun, ich warnte dich, verriet den Vater! Machst du zu seinem Mörder mich? RIENZI Bedenke, dass du Römer bist und nicht des Hochverräters Sohn! ADRIANO Willst du die Bande der Natur aufopfern deiner Freiheit Prunk? Oh, Fluch dann ihr, Fluch dir, Tribun! RIENZI Betörter! Ward nicht die Natur, ja, Gott selbst freventlich verletzt! Meineid und Mord! Colonna stirbt! ADRIANO Ha, wag es, blut ger Freiheitsknecht! mit Bedeutung Gib mir verwandtes Blut zu rächen, und dein Blut ist s, was mir verfällt! RIENZI Unsel ger! Woran mahnst du mich? Man hört aus dem verhängten Saale den dumpfen Gesang der Mönche, welche die Nobili zum Tode vorbereiten. DIE MÖNCHE hinter der Szene Misereat Dominum vestrorum peccatorum! ADRIANO Entsetzlich! Welche dumpfe Töne! Errege Mordlust nicht in mir. IRENE O blick zu Gott, sei gnädig, Bruder, und schone, o schone, seines Vaters Haupt! Vom grossen Portal her hört man das Volk. VOLK Tod der Verräterbrut! RIENZI Hört diesen Ruf! Er spricht zu mir! Ach, meine Gnade wird zum Verbrechen! Irene und Adriano beschwören Rienzi auf den Knien. ADRIANO, IRENE Zu deinen Füssen flehen wir sei gnädig, rette meinen/seinen Vater! RIENZI Wohlan! Vernehmt denn Rienzis Entschluss! Auf Rienzis Zeichen hebt sich der Vorhang. Man sieht die Nobili in Todesangst beten, vor jedem steht ein Mönch. Der Ruf des Volkes schallt von aussen durch das grosse Portal her. Die Nobili werden in den Vordergrund geführt. VOLK von aussen Tod den Nobili! Tod den Verrätern! Die Masse des Volkes bricht durch das Portal herein. Tod treffe sie! Tod treffe die Verräter! Die Verräter sterben! Sie sterben! RIENZI dem Volke entgegentretend Höret mich! Verschworen hatten sich die Nobili zum Mord an mir... VOLK Sie sterben drum! RIENZI Hört, Römer, mich! Begnadigt seien sie durch euch! CECCO Tribun, du rasest! VOLK Nie, Rienzi! Tod treffe die Verräter! Tod treffe sie! Die Verräter sterben! Sie sterben! RIENZI Muss ich euch um Gnade flehn für meine Mörder? Wohlan! So fleh ich euch denn an wenn ihr mich liebt, begnadigt sie! BARONCELLI Er raset! Hört ihn nicht an! RIENZI Ihr Römer! Ich macht euch gross und frei; den Frieden, oh, erhaltet ihn! Vermeidet Blut! Seid gnädig, flehe ich, der Tribun! VOLK Dich, unsren Retter, unsren Befreier, bedrohte Tod von ihrer Hand! RIENZI Begnadigt sie und lasst von neuem sie das Gesetz beschwören; nie können je sie s wieder brechen! Ihr Nobili, könnt ihr dies schwören? COLONNA, ORSINI, NOBILI in Zerknirschung Wir schwören! CECCO Du wirst s bereun! RIENZI O lasst der Gnade Himmelslicht noch einmal dringen in das Herz! Wer euch, begnadigt, Treu verspricht, fühlt auch der Reue bittren Schmerz! Doch dreifach Wehe treffe sie, verletzen sie auch diesen Eid! Den Frevlern dann verzeihet nie, verflucht sei n sie in Ewigkeit! ADRIANO, IRENE Wie Sonne schön durch Wolken bricht, löst diese Gnade jeden Schmerz; ja, seiner Milde Himmelslicht dringt segnend in ihr reuig Herz. BARONCELLI, CECCO Unzeit ge Gnade, die er übt! Bereun wird er der Straf Erlass. Wer diesen Stolzen je vergibt, erweckt aufs neue ihren Hass! COLONNA, ORSINI Ha, stolze Gnade, die er übt! Erniedrigung und Straferlass! Die Schmach der Edle nie vergibt, bis in den Tod trifft dich sein Hass! VOLK In deine Hände, o Tribun, sei der Verbrecher Los vertraut! Du darfst nach deinem Willen tun, da fest auf dich der Römer baut. RIENZI Euch Edlen dieses Volk verzeiht, seid frei, die besten Bürger Roms! ADRIANO, IRENE Rienzi zu Füssen fallend. Rienzi, dir sei Preis, dein Name hochgeehrt; dich schmücke Lorbeerreis, gesegnet sei dein Herd! So lang als Roma steht, ans Ende aller Welt, dein Name nie vergeht, du hoher Friedensheld! BARONCELLI, CECCO Bald schwört Verrat aufs neu die stolze Räuberbrut, wer baut auf ihre Treu? Uns frommt allein ihr Blut! COLONNA, ORSINI, NOBILI Ha, dieser Gnade Schmach erdrückt mein stolzes Herz! Es räche bald ein Tag der Schande blut gen Schmerz! VOLK Rienzi, dir sei Preis, dein Name hochgeehrt; dich schmücke Lorbeerreis, gesegnet sei dein Herd! So lang als Roma steht, ans Ende aller Welt, dein Name nie vergeht, du hoher Friedensheld! All rights reserved © Maria Fujioka Wagner,Richard/Rienzi/III
https://w.atwiki.jp/zeitvertreib/pages/59.html
http //www.taz.de/1/archiv/print-archiv/printressorts/digi-artikel/?ressort=ku dig=2009%2F06%2F16%2Fa0071 cHash=fb339cb5e3/ type=98 16.06.2009 Der Antihumanist Zehn Jahre nach seinem Tod schließt ein Band mit "vorletzten Gesprächen" die Lücke in einer Trilogie mit Niklas Luhmann im O-Ton. Ein Versuch, den Soziologen zu verstehen VON KAI SCHLIETER "Was tun, Herr Luhmann?" Eine recht umfassende Frage, die aber kaum dem Universalgelehrten huldigt, sondern eher von trockenem Humor zeugt. Nicht nur Niklas-Luhmann-Kenner wissen vom Katechismus der Systemtheorie Alles eine Frage der Perspektive. Antworten, gar Handlungsanweisungen von Luhmann zu erhoffen, ist ein Witz. Und die will der nun vorliegende Interviewband wohl kaum liefern. Er ist untertitelt mit "Vorletzte Gespräche mit Niklas Luhmann". Nach "Warum haben Sie keinen Fernseher, Herr Luhmann" aus dem Jahr 2004 und "Archimedes und wir" von 1987 ist dies der dritte Band mit Luhmann im O-Ton. In der Summe geht es allen drei Titeln darum, die Person hinter der erratischen Theorie sichtbar zu machen. Am besten gelingt dies in "Archimedes und wir". Doch wer war dieser Archimedes? Das YouTube-Filmchen zu "Luhmann erklärt den Zettelkasten" haben schon 70.000 User gesehen. Den "Heiligen Gral von Bielefeld", nennt der Spiegel den berühmten Zettelkasten des Soziologen. "Ein Alter Ego, mit dem man laufend kommunizieren kann", befindet sein Schöpfer ungekannt liebevoll 1992. Autor ist dieser Kasten mit 24 Laden, wie Luhmann nicht ausschließlich ironisch feststellt. 70.000 Klicks für den Clip Luhmann ist Pop. Das war mal anders. In den 70er-Jahren, als es noch Gut und Böse gibt, als die Blockkonfrontation noch das Denken polt, auch in der Wissenschaft. Hier sind die Fans eine Minderheit. Denn Luhmann, der Theoretiker mit dem über Jahre indifferenten Sakko, widersetzt sich der in der Soziologie vorherrschenden Lehre, die gesellschaftlichen Verhältnisse kritisieren zu müssen. Tatsächlich wüsste er schlicht nicht, was das sein soll das Richtige, für das sie hier kämpfen. Die Anti-Luhmann-Transparente nimmt er stoisch hin. Im tonangebenden Frankfurt ruft Luhmanns vermeintlicher Relativismus und seine Weigerung zum Bekenntnis bei den linken Soziologen Abwehrreflexe hervor. Doch zu ignorieren ist er nicht 1966 wird der zunächst als Verwaltungsbeamter tätige Luhmann nach einem Aufenthalt in Harvard bei Talcott Parsons gleichzeitig promoviert und habilitiert. Von der Frankfurter Mensa ausgehend entspinnt sich ein Disput mit dem Adorno-Schüler Jürgen Habermas. Einer, der sich nicht anschließt, die bestehenden Verhältnisse zu kritisieren, ist nicht anschlussfähig. Luhmann will den Status quo erhalten, so Habermas Urteil. Politisch äußert sich Luhmann nicht, Angriffsfläche aber bietet das Vokabular seiner Sprache. Die Systemtheorie sei eine "Sozialtechnologie", so die Anklage. Für Luhmann markiert die Sicherheit, mit der sich die Frankfurter auf der richtigen Seite wähnen, einen überholten "Moralkonservatismus". Eine Ontologie, der seine Theorie längst entglitten ist. Das war 1971. Seit dem gelten Luhmann und Habermas als Antipoden eines intellektuellen Planeten, auf dessen Kontinent der Bielefelder Robinson Crusoe ist. Die Signatur Luhmanns ist jetzt die eines Reaktionärs. Jahre später antwortet er auf die stetig wiederkehrende Gesinnungsfrage "Wenn man wirklich konservativ ist, dann müsste man heute enorm viel ändern, um angesichts der vielfältigen Veränderungen etwas zu bewahren. Wie kann man in einer solchen Situation sinnvollerweise von ,konservativ reden?" Beschreiben, nicht werten Der Vorwurf des Antihumanisten, mit dem er ebenso oft konfrontiert wird, wurzelt in Luhmanns striktem Verzicht auf das Subjekt. Im aktuellen Interviewband antwortet er auf die Frage, ob es etwas gebe, dass ihn gänzlich kalt lasse "Ich lehne alle Einladungen ab, die mich veranlassen wollen, über den Menschen zu sprechen. Also der Mensch interessiert mich nicht, wenn ich das so sagen darf." Luhmann will den Menschen nicht auf Formeln, Reiz-Reaktions-Schemata, auf Trivialmaschinen reduzieren. Er spart ihn lieber aus. Diese Leerstelle in der Theorie kontrastierte Luhmann in der Praxis geradezu kafkaesk. Denn die Ausarbeitung der Systemtheorie ist unauflösbar mit ihm selbst verbunden. Beim Antritt seiner Professur in Bielefeld umreißt er sein Vorhaben "Es wird eine allgemeine Theorie sozialer Systeme ausgearbeitet. Die Publikation wird in Aufsätzen und Monografien erfolgen." Er veranschlagt dafür 30 Jahre, Kosten "keine". Luhmann beschäftigt sich mit nichts anderem, schreibt 400 Aufsätze und etwa 60 Bücher. Er verschlingt Bibliotheken, um sie in die Matrix seiner Theorie einzuarbeiten. An einem gewöhnlichen Tag liest er von 8.30 Uhr bis 23 Uhr, unterbrochen von zwei Mal Gassigehen und dem Mittagsschlaf. Und alles, was er liest, verzettelt er. Er schreibt auf Kalenderblätter, Kinderzeichnungen und Kontoauszüge. Damit beginnt er schon als 28-Jähriger Referendar in Lüneburg. Auf dem ersten Zettel notiert er "Es muss versucht werden, Methoden und Begriffe so klar wie möglich zu explizieren, damit ihre Unzulänglichkeit und Unvollkommenheit deutlich wird." Im Luhmann-Kosmos erfolgt der Zugang zur Welt über Unterscheidungen. Will ich etwas erkennen oder bezeichnen, muss ich eine Unterscheidung wählen. Die Wahl dieser Unterscheidung bedingt, was ich beobachten kann. Und diese Unterscheidung lässt notwendig anderes außer Acht. Die Welt existiert nur aus einer gewählten Perspektive. Der Versuch, dieses perspektivische Beobachten mitzudenken, erfordert einen Beobachter, der andere beim Beobachten beobachtet. In der Systemtheorie existiert keine aus sich selbst heraus vorrangige Position, von der aus Stellung bezogen werden könnte. Soziologie ist für Luhmann Aufklärung, wenn sie unwahrscheinliche Beobachterperspektiven einnimmt. Die Funktion sieht er im Beschreiben, nicht im Werten. Der Literaturwissenschaftler Hans Ulrich Gumbrecht schrieb einmal, Luhmann "akzeptierte nur ein ethisches Postulat das Postulat, den anderen die Zumutung von Ethiken zu ersparen". Luhmann hat die Komplexität der Gesellschaft in seine Theorie geholt. In einer Form, die durch Paradoxien und Tautologie Verweise erzeugt, die mitunter zum Ursprung zurückführen und eine Taubheit hinterlassen, die zumeist irritiert, aber anregt. Seine Erkenntnistheorie ernst zu nehmen kann bedeuten, sich in Reflexionsschleifen zu verlieren, sie ist ein Stoff, der Handlung lähmt. Nichts für Tatmenschen oder Wahrheitssucher. In einer vernetzten und polyzentrischen Welt, in der verpackte und gesplittete Immobilienkredite Volkswirtschaften weltweit in den Abgrund ziehen, in der alles gleichzeitig geschieht und jede Entscheidung, die in ihren Auswirkungen kaum absehbar ist, mehr denn je individuell verantwortet werden muss, da ist vor allem eines wieder gesucht Orientierung, Ordnung, die Reduktion von Komplexität. Damit ist Luhmann aktuell und praktisch nutzlos wie nie. Gefragt ist heute wieder Religion. Denn sie setzt eine unhinterfragbare und universelle Ordnung. Chaos ist nur ein anderer Name für das Böse. Bei Luhmann gilt bezogen auf die Umsetzbarkeit seiner Reflexionen, so liest man im aktuellen Gesprächs-Band, "dass man mit jeder Kenntnis noch mehr Unkenntnis produziert, mit jedem Wissen noch mehr Unwissen". Wolfgang Hagen (Hg.) "Was tun, Herr Luhmann? Vorletzte Gespräche mit Niklas Luhmann". Kadmos Verlag 2009, 160 Seiten, 14,90 € © taz Entwicklungs GmbH Co. 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